Tag: eccentric people

Meh-ntalist

JulianLeave a comment

In freshman year of highschool, my theater teacher told me: “There are no magicians. There are only actors pretending to be magicians.” 

Tonight we saw neither. 

Suhani Shah bills herself as “the world’s most subscribed mentalist. I have no way of disproving that claim. 

What I can disprove: 

  1. Around ~30 minutes into the show, she wrote a number on a whiteboard, attempting to match the number that had been written while she was blindfolded. She failed. The audience did not clap. She commented on the audience not clapping. I told her “It’s wrong.” (I was on stage at the time as an audience participant.) 
  2. Around 3 minutes later, she told me and the other on-stage participant to select one of us to draw on the board, and tell her who it was. We neglected to tell her. She incorrectly guessed it was me. 
  3. There was another part where she had someone say a number that was on their mind. The reveal was to be EITHER that she had written the number both on the white board AND on a piece of paper already on stage, OR that she was wrong on the whiteboard as a dramatic intensity-heightener, and then MAGICALLY CORRECT with the paper on the stage. I can’t tell which, because 1) the numbers didn’t match, and 2) she didn’t play off the note-being-correct in a way that was obvious or compelling. 
  4. At ~the 75th minute, she performed an actually-shocking trick that I have no idea how she did. (She received random three-to-five-digit numbers from the audience, which combined with an audience member’s “random” button presses of additional numbers summed to the first 6 numbers on a twenty dollar bill and a pre-written scroll.)
    1. Okay, I actually just figured out one way she could do it: have the “calculator” app not actually be a true calculator, but be a program which only looks like a calculator but actually inputs the desired digits at the audience member’s presses. 

Today was her first day performing in New York. On ~3 occasions, she found herself a bit bowled over by audience members being very forward. For an audience-participation show, New Yorker culture is, I would suspect, quite specific. We move fast. Give us an inch and we’ll take it immediately. Say to the audience, “We need someone with a handkerchief. Raise your hand if you have one. One of you, join me onstage.” and someone will arrive immediately. 

She also mocked the audience participants more than I’m familiar with. This may be a cultural difference, but it rubbed me a bit the wrong way. (Partner didn’t notice or care.)

If you’re a mentalist, your job is to seem like you’re doing magic. Part of that success comes from playing off your mistakes well. 

Tonight was opening night. In two weeks, I hope she’s more successful. 

Who’s the Muppet Now?

JulianLeave a comment

The goal of the game is to play. You play by entering their world. 

Two exes have independently called me a muppet.
Today I meandered through Central Park with a literal muppet.
She didn’t have fur or someone’s hand up her backside.
But she voiced a muppet in the 70s and became one of the most in-demand voice-over artists in the country.

Partner and I met her at a Burning Man-esque immersive theater event. She and Partner exchanged numbers. We met at noon today. She has white hair and takes stairs slowly and always with a handrail. She mentions her sciatica. Thrice over the next 90 minutes, she slips into a character voice. The first: a high-pitched mocking childish sing-song, context-fit for parodying the president. Second: Italian, to correct my poorer accent. Third: I can’t recall. 

We started at the Museum of Natural History. By the time we entered the Shakespeare garden a block or two away, an hour had passed in our minds. In reality, under ten minutes. 

There’s a time dilation that happens with some people. Where they keep saying “Look at those flowers!” so you do. And when you’re looking at the bright purple of a cherry blossom, you lose yourself. Floating away, endlessly, somewhere into an abyss you didn’t recognize existed, let alone could be accessed at any second… where 90 minutes could have been 3 or 4 hours… you move slower, your internal monologue slows, but you don’t mind. The same place you’ve been a half-dozen times, but this time you enter it in a new way.

It’s not new. You’re new. The collective you is new. 

This experience happens more with artists. With creatives and children too. You spend an hour or a day or the rest of your life studying the veining in one perfect leaf. 

Suddenly, she’s apologizing on the phone. “Lunch Saturday? Wasn’t it Sunday? I’ll be right there.” She’s sure they agreed Sunday, but won’t leave her friend alone at the restaurant.

Then you leave and you return to the honking cars and the car exhaust fumes and the hot dog vendors and the rest of the dragnet made out of always-fraying sinew that yanks us all forward. 

You asked how she does the voices. She said, “They just come to me. They always have.” Your father has said you do voices well — but each time he says it, you’ve thought, “I know people far better.” Having gone beat-for-beat with a real character, you know this to be true.

So you return home, where you wonder about what you have to Give. What naturally comes to you the way voices do to her? Then you shake your head because mulling and musing and obsessing and ruminating never got anyone anywhere. So you smile, because you finally met a real-life muppet. 

I’ve been a muppet to others. This is a muppet to me.