Ode to Xfinity

Xfinity, you tease

In the unlikeliest of places

By stoking my hopes with the promise of bars

Then dashing them all with a “cannot connect!”

 

I must say I’d rather

Have no WiFi at all—

Be forced ‘pon my phone’s hotspot

Than hear your wispy false claims.

 

But sometimes, my dear,

You appease this old soul—

Like this ‘forenoon, when I video called

My boss from the street.

Though your robustness did waver

So we switched to “just audio,”

You did remain connected! Aye, you stood strong throughout,

Leaving boss none the wiser

That I’m a van-confined hobo.

 

Why do you toy so, dear Xfinity,

With me, of all people—loyal lover of your service

As I try to log in

With my dad’s friend’s account?

Time moves consistently, but mine doesn’t.

Time moves consistently, but mine doesn’t.

Subjective perception of time is altered by all sorts of stimuli. After a drink, it swims faster, blurrier. Right before lunch, it slows as I savor it more. “Time” is an objective measure about the world—a construct based on collective human experience. Each person’s time, however, is subjective. Experientially, there is such thing as a fast second or a long day.

At twelve years old, late at night in the hold of a sailboat, I wept at the realization that time only moves in one direction. Correct, precocious pre-pubescent philosopher young-Julian: correct, but incomplete.

I also recall, earlier, as a tyke of about seven, telling a friend, “we should have fun for the next hour so it passes faster.”

While I couldn’t yet articulate the difference between subjective and objective time, I already understood its implications: Subjective time is inconsistent. You can manipulate it, and thereby manipulate your experience.

So what?

So play with it. That’s as much as I’ve got. I’ve discovered a powerful tool and have little idea what to do with it, so let’s experiment and see what works. Try slowing subjective time by sensing the subsections of each second. Speed it up by losing yourself in thought. Objective time moves at a consistent rate in one direction. That’s our creative constraint. What we do within its bounds is up to us. If you discover something, tell me. 

Traveling around the U.S., with no nine-to-five, I revert to a pre-1800s sense of time, which I find brings greater focus and emotional depth.

How long have I been writing this? Wrong question.

Is it valuable? Better question.

Is it what I should be doing? Right question.