Clown School Weekend 4.2: Clowning is Serious Taxonomical Business

In which Our Hero undertakes a herculean task (probably the one about shoveling poop)

I’ve spent the past few weeks trying to reverse-engineer the game we’ve been playing at clown school.

If we think of clowning as a game, what are the rules of that game?

I’ve started building a taxonomy — a kind of manual of play — mapping what seems to make pleasure multiply on stage: impulses, generosity, major/minor dynamics, how to avoid destroying your play, and so on.

It’s still a work-in-progress (I’m sharing it with classmates to stress-test it before publishing the full version).

But the process of writing it has already clarified a few things for me:

  • The clown’s “goal” isn’t to win — it’s to maximize total pleasure (without harm).
  • Pleasure is contagious; it’s the currency of play.
  • When you’re failing, contribute to the game and share your pleasure (don’t try to be funny or clever)

I’ll publish the full taxonomy soon. For now, there’s a little taste of what’s coming — and a reminder that even codifying play is, itself, a kind of game.

P.S. If you’ve ever tried to articulate something that resists articulation, you’ll understand how funny this exercise becomes.

Or, put another way: sometimes people ask me, “What is the point of your Yale philosophy degree?” Now I can say: “I made you a taxonomy of Clowning!”

Clown School Day 13: Who’s The Laugh For?

In which Our Hero learns to give himself away.

Is giving giving?

We created a mob on stage. One leader, fifteen followers. The leader was in Major: loud, powerful, commanding, tall. The followers were in Minor: following along with the Major’s game.

The leader’s task: move for the group. Then, if successful, speak for the group.

Here’s the kicker:

We — the audience — could easily see when the leader was playing for others and when they were playing for themselves. Too delighted by your own words? Too much for yourself. Too fast, too slow, too complicated, too boring? All of it = no good.

It was fucking cool.

It wasn’t just obvious when a leader played for themselves: we could even separate which parts they did for themselves. Some moved for themselves but spoke for the group. Others spoke for themselves but moved for the group.

Me? I moved for the group until I started speaking. Then I spoke for the group but failed to move for them.

The magnetism of a Major doing for others was inescapable. It drew us in — as the audience — as though they were playing for us, too.

I keep wondering what “giving” really is. Is it enough that someone is giving to someone? Or must they somehow give to each person? The latter seems impossible: no one can give individually to a 3,000-person crowd. But you can give, and keep giving, and keep giving…

I thought about that today when I found myself in a spat with a friend. They argued — accurately — that I’d been laughing for myself, not for them. And they found that objectionable.

At a minimum, they were fair (jury’s still out on them being right ;). Maybe I’ve found too few people laughing for me, so I learned to laugh for myself. Whatever the reason, it’s unhelpful — on stage and in friendship alike.

That’s why I’m here at clown school:

because I’m a guarded, frightened, closed, selfish, winning-focused person

trying to open up.

It’s hard to give and share and open and keep giving in this ever-present openness.

First-year classes are often “weeder” classes — designed to weed out those who aren’t a fit. In college, I lasted one day in Theater 101 before switching to philosophy. Theater 101 was dry history; philosophy had rigor and use.

I wonder if theater students who truly love it endure that drudgery because they care so much about reaching the next level — the acting classes, the real thing.

Here, too, I’m pushing through the bullshit, the trials, the endless tests: chasing skill.

The teachers keep throwing more at you, more and more, just to see who will break.

Those who break aren’t meant to be clowns.

And maybe I’m not meant to be one either.

So I’ll grab what I can from this pressure cooker,

gather the small diamonds I find,

and fuse them with other gold I’ve picked up along the way,

to form

my own

crown of jewels.