Jennifer and the Fridge (Feb 2 2026)

In which community helps carry the weight. 

The last time Nikki rode in the trunk of a car, we were hitchhiking through central Germany. This time, it’s to keep the fridge upright. 

We found Jennifer through facebook marketplace. She posted a mini fridge for $55. When we arrive, she explains: “I originally posted it for $90,” she says, “and there was a bidding war.” 

She says this as though it clarifies how we got here when in reality it only muddles my understanding. 

Jennifer asks for help carrying her trunk downstairs. Nikki obliges; I carry the fridge. When we get to the bottom, Jennifer offers to drive us to the subway instead. We heartily agree. 

Forty-five minutes later we’re stuck in traffic behind school buses with Hebrew letters on the side, all doing their daily rounds despite it being Sunday. Jennifer tells us about her life and dreams: 

  • She always wanted to live in a loft apartment that doubles as an arts space. Today she moves her stuff out of someone else’s arts loft. She’s not making much art these days. 
  • She lived for a while in rural northern California, managing a “farm” and “driving hash around”. 
  • She raised her son by herself. He’s sixteen now and “I homeschooled him myself” for five years. When I ask for details, she says “More like unschooled. But hanging around me is a whole lot of learning”. 

As Jennifer drives us down [name] street in Bushwick, she points out all the Hassidic jews nearby. “That hat probably costs $3000,” she says, and “Don’t do business with people who say ‘more or less…’” 

“Good for you,” Jennifer says upon learning I’ve bought my own apartment. “Do ya mind if I ask what you do for work?” 

I pass this question to Nikki. 

“He’s a clown school dropout,” Nikki says. “And I am a bioweapons expert.” 

“Modern day hippies.” 

— 

We only end up carrying the fridge down two flights of stairs, up two flights of stairs, and down one avenue block (those are the long ones). We stop five times. Had Jennifer not driven us, the carrying itself would have taken us an hour. Instead, we received a tour of Bushwick. 

On the final stretch, Nikki pauses a few times for grip strength issues. Her strength itself is just fine: it’s a problem of her finger strength giving out. (Fun fact: grip strength is the most sexually dimorphic trait.) Two high school boys walk past us. They look for a bit too long, clearly demonstrating curiosity. After they pass, Nikki says “I’m thinking about asking someone for help carrying this to the light.” 

Six months ago, Nikki was lifting weights at a gym in Reno when she realized she couldn’t re-rack her weights (due not to a strength issue but their height). She flagged down some men in the gym, only realizing after asking that they were standing around chatting because they were firemen called in for something job-related. They ribbed each other about who was going to help her, then clearly enjoyed being useful. 

So far, we’ve lived in New York for 4 days. I look forward to the day when Nikki asks the passing teens immediately. I look forward to the day when I do too. Because we helped carry Jennifer’s trunk downstairs. That’s what New Yorkers do. 

Jennifer has always wanted to live in a loft apartment. And today she is moving out of her arts space. 

We found her through facebook marketplace. She posted a mini fridge for $55. When I messaged her, she said “First person to confirm they can pick it up at 3:30pm gets it!” I immediately texted back “Confirmed: I can do 3:30. Where is it?” 

En route, I tell her we’d love for the fridge to be at the ground floor. “You mentioned you could bring it down the stairs. I’d appreciate that.” She replied: “No. I mentioned i am strong enough to.  You will need to carry it down.” 

When we arrive, feelings are slightly tense, presumably because of the recent request-rejection. 

My partner wonders aloud whether people who feel compelled ot make art do so because they have something they need to communicate that can’t be easily communicated with language. 

I do think many of them feel unheard. 

Easing In

In which Our Hero builds the lazy river…

A guy who needs exactly my services is posting on Twitter about it.

I want to help. I know it’d be a good fit. I’m one of the five best people in the world at it.

Do I reach out?

Before you say “yes,” it’s a little more complicated.

He has to want it before I can close the deal.

We’ve already spoken… and he’s not ready.

So what do I do?

I make it easy for him to say yes.

Let’s talk about generosity.

Generosity isn’t martyrdom. It isn’t giving to others such that you can’t feed yourself.

Very few causes are worth dying for. Dying – or even destabilizing oneself – is rarely the most effective approach.

Generosity is finding what someone else needs and giving it to them.

And this guy needs ease.

At clown school, a fellow student told me that the creative people he knows don’t plan.

They go with the flow: having meetings when they have meetings, happening upon each other as needed.

I thought: that just means the powerful, successful people are the ones who make it look effortless.

That’s what this guy needs.

His current stress is mental load. He needs my work to remove that load.

I can’t convince him.

I need to make it easy.

I’ll be in his city in ~2 weeks.

I’ll wander to his area, grab coffee, maybe step into his office, meet his team.

And if I can make it easy enough for him…

Well, that’s the job.

Three key areas of my life came into alignment today. I said to my partner, “When you work hard, sometimes you get lucky.”

Is this generosity, or strategy?

I don’t think those are opposites.

Clown School Day 16: Crying Beautifully

In which Our Hero is the Major

It’s nice to be celebrated for crying.

The exercise is simple: receive the ball from your friend → thank your friend → declare with the vigor of a leading actor, “[Loved one], look at me: I’m the major!”

Most people fail for being too small: instantly kicked off, banished forever, like too-polite ghosts. In the summer course, I had been one of those, kicked off after one word.

Not wanting to befall this fate, I powered hard in the other direction.

After receiving the ball and thanking my friend, I turned to the audience, pulled out all the stops, and loosed a booming “YAYAAAAA!!!”

Students flinched in fear.

Head Teacher provided me lines to repeat back:

  • “I’m sorry, Yaya, for frightening you with my shouting.”

Then, Head Teacher dialed me in:

  • Softer
  • More open
  • Gentler
  • Less pushing
  • More subtle

When I had all the mechanics correct but was still missing joie de vivre, Head Teacher asked me who in the class I would want to kiss me. I chose a girl in the front row. Head Teacher asked, “Do you want another?” I said no, one is enough.

Then, whenever I spoke the text with all the mechanics correct but insufficient relaxed openness, Head Teacher signaled this classmate to kiss me on the neck. Later, classmates told me the kiss had opened me up: It stopped me from pushing so hard. I was, perhaps, trying to be liked. If I just sit back and show people who I am, it turns out they find me beautiful.

Eventually, as I opened up, tears began to fall. Not just mine. I saw tears in at least one audience member’s eyes.

What is this releasing? Is it a sadness or a joy or a wonder or a beauty? Is it the physical manifestation of pain being shared?

It reminded me of two events:

  • One, crying in my parents’ shower seven years ago. I had just ended the most significant relationship of my life and was scouring my gut with steel wool, knocking off barnacles attached from that pain.
  • Two, at Burning Man around that same time. Watching the Temple burn, I mourned the end of that relationship and grieved the pain it had caused me.

The first happened in private. The second happened in public. And bawling at Burning Man, surrounded by fifty thousand people, the funniest thing happened:

Everybody kept trying to help. Some offered a tissue; others provided a shushing noise. Well-meaning people, but they were soothing their own discomfort, not mine. Mine wasn’t discomfort. Mine was comfort for the first time in a decade. My tears were the powerful release of pain. And others, in wanting to help, tried to pull me back into their pool of internalized pain.

I’ve had a philosophy since that experience: people who are grieving should be allowed to lead. Sit with them; offer them your kind presence; maybe a hand to hold if they want to. But let them lead. Even that hand-holding is more likely to be top-down controlling than actually helpful and kind. Let them take care of themselves. You are there to serve.

Here, on stage, it was nice to finally be rewarded for my raw, open emotion. To show that rawness and have it accepted. Not just any rawness: it had to be loving (directed at Yaya) and relaxedly pleasurable (from the kiss). But still, a context in which to share my experience. To share my feelings. To share my pain.

If you have deep pain, we’ll accept that here — so long as you offer it as a light, open gift.

Four minutes on stage. One of three people who cried during the exercise. Described as a “breakthrough” by a fellow student.

It’s intoxicating.

Satisfying.

Nice to be alive.

And delightful

to be celebrated

for being myself.

Yaya, today, I was the major.

Clown School Day 13: Who’s The Laugh For?

In which Our Hero learns to give himself away.

Is giving giving?

We created a mob on stage. One leader, fifteen followers. The leader was in Major: loud, powerful, commanding, tall. The followers were in Minor: following along with the Major’s game.

The leader’s task: move for the group. Then, if successful, speak for the group.

Here’s the kicker:

We — the audience — could easily see when the leader was playing for others and when they were playing for themselves. Too delighted by your own words? Too much for yourself. Too fast, too slow, too complicated, too boring? All of it = no good.

It was fucking cool.

It wasn’t just obvious when a leader played for themselves: we could even separate which parts they did for themselves. Some moved for themselves but spoke for the group. Others spoke for themselves but moved for the group.

Me? I moved for the group until I started speaking. Then I spoke for the group but failed to move for them.

The magnetism of a Major doing for others was inescapable. It drew us in — as the audience — as though they were playing for us, too.

I keep wondering what “giving” really is. Is it enough that someone is giving to someone? Or must they somehow give to each person? The latter seems impossible: no one can give individually to a 3,000-person crowd. But you can give, and keep giving, and keep giving…

I thought about that today when I found myself in a spat with a friend. They argued — accurately — that I’d been laughing for myself, not for them. And they found that objectionable.

At a minimum, they were fair (jury’s still out on them being right ;). Maybe I’ve found too few people laughing for me, so I learned to laugh for myself. Whatever the reason, it’s unhelpful — on stage and in friendship alike.

That’s why I’m here at clown school:

because I’m a guarded, frightened, closed, selfish, winning-focused person

trying to open up.

It’s hard to give and share and open and keep giving in this ever-present openness.

First-year classes are often “weeder” classes — designed to weed out those who aren’t a fit. In college, I lasted one day in Theater 101 before switching to philosophy. Theater 101 was dry history; philosophy had rigor and use.

I wonder if theater students who truly love it endure that drudgery because they care so much about reaching the next level — the acting classes, the real thing.

Here, too, I’m pushing through the bullshit, the trials, the endless tests: chasing skill.

The teachers keep throwing more at you, more and more, just to see who will break.

Those who break aren’t meant to be clowns.

And maybe I’m not meant to be one either.

So I’ll grab what I can from this pressure cooker,

gather the small diamonds I find,

and fuse them with other gold I’ve picked up along the way,

to form

my own

crown of jewels.