Tag: Emotions

Clown School Weekend 2.1: The Cleverness of Simplicity

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In which Our Hero dunks on century-old cinema

Charlie Chaplin is a comedy god. I saw his magnum opus today. It was… fine?

Not great. Not exciting. Not even that funny.

One or two strong laughs — the eating of the shoe, the dancing dinner rolls — but mostly, the movie made me sad. My film-buff friend assured me it was meant to. The pathos is why it’s endured, he said.

So we watch the Little Tramp suffer. The love interest betrays him. Our Hero suffers yet again. The sadness swallowed the play. I felt too much pity and fear to laugh.

I’m certainly more of a Marx Brothers fan. I like the clever. The sharp. The witty. The possible. Chaplin, by contrast, was morose. The Marx Brothers sparred with logic; Chaplin wrestled with circumstance.

I also saw three Laurel & Hardy shorts, and liked them much more. A quest to change pants, failing in ever-new ways. Elegant clownic escalation. Need a new beat: toss a crab in the pants. Simple. Repeatable. Because it was so limited, clever.

Clever comes from doing more with less. Laurel & Hardy did more with less. So did Chaplin, at his best: when dinner guests ask for a speech, he offers a dance instead (because it’s a silent film!). Cue the famous dinner rolls.

In clowning, the game is paramount. A simple, easy-to-understand game that provides boundless fun for the time allotted. Make the game simpler. Then vary it. Expand it. Loop it. Narrow it.

With clown, I don’t want a new game. I just want another well-played round of the same.

That’s what I’m learning in clown school: the joy of the repeat.

That’s what I’m learning in clown school: the joy of the repeat.

Clown School Day 10: How to Win by Losing

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In which Our Hero finally beats himself

I loved it when a classmate called me a douche. It raised a key question: Am I a douche?

To that, I had to answer yes. Because anyone who steamrolls friends at silly games is a douche. And I’d been playing silly games to win, despite frequently being much better than others.

A knight without chivalry is a douche. An assassin without honor is a douche. The powerful, when they flex on the powerless, are acting like a douche.

(He said this after I grabbed a ball he was juggling. Not a big deal. Still, a douche.)

I wrote in my notebook: Stop always playing to win. Try playing to play.

Then we started wall ball.

Wall ball is simple: hit the ball, it hits the wall, bounces once, next player hits. Compared to my group, I’m very skilled at wall ball. Last time I won the tournament (ahem, ladies 😉)

This time, I decided to try play. My game:

  1. Don’t die.
  2. Give the next player the easiest possible hit.

Using this approach, I eliminated only one person (on a challenging shot where a gentle hit might have put myself at risk). Still, I reached the finals.

At the finals, a question arose: keep playing my game, or now play to win?

I chose my game. Either he’d win, or he’d beat himself.

First to three wins.

He won the first point.

He mis-hits. All tied up.

I thunked one off the side.

He botched another.

Two-two. Next point wins.

He fired a zinger to the corner: unreturnable. He wins.

The crowd went wild.

Everyone loves seeing David beat Goliath.

I cheered too. It felt better than winning the tournament. That had been awkward. This was joy. I led the chant: “Speech! Speech! Speech!”

The victor obliged.

I don’t think I’ve ever thrown a game before. This didn’t feel like throwing. It felt like optimizing for something bigger.

I didn’t lose. I won at a bigger game.

Sometimes the point of the game is play.

In theater, the point of the game is the play.

—

Later, our class watched another student play a game on stage with the same man I’d met in the finals.

The student was far more skilled. My teacher said:

“When you play with someone much worse than you, you must have good humor.”

That’s why I’m here.

To learn good humor.

Clown School Weekend 1.2: Phoning It In

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In which Our Hero phones it in with a brief reflection (it’s the weekend, after all)

I started memorizing lines this weekend. The school doesn’t care what the words mean: only that you say them exactly right. It’s strange to memorize language as sound instead of sense.

I’ve been using a first-letter mnemonic I found on YouTube, which works surprisingly well. Combine that with the top-secret trick of practicing right before bed and again first thing in the morning, and the lines get codified much faster.

That’s all for today. Tomorrow begins Week 2 of Clown School. Onward! 🎭

Clown School Day 5: The First Presentation

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In which Our Hero learns that punctuality is for mimes

Monday after class, every student except one gathered outside the studio to form teams. That one was me. I was off to buy sushi. A grave mistake.

Earlier that day, we had received our first presentation assignment. “In groups of 5, show us or teach us a game”.

On Tuesday, my default group (as it was the only group missing a fifth) suggested we assemble after class. I have a meeting after school every day, so I vetoed this idea. We scheduled instead to meet at 9:15 the following morning.

On Wednesday, four of us assembled at 9:15am. The last arrived at 9:20, at which point one of us agreed to babysit a small child until 9:25, which became 9:30.

On Thursday, one of us forgot we had a 9:15 rehearsal. He arrived at 9:25.

On Friday, one of us texted saying she would be 10 minutes late. She was actually 17 minutes late.

This place is full of clowns.

—

For our presentation, we played a game.

On one side, a large bird of prey screeched his desire to eat tiny chickens.

On the other, a mama bird defended her children.

We were light, airy, generous, friendly, open, and with impulse. And then, if we succeeded, we had to add text atop the game. It’s very easy for text to kill the game. But we care not for text. We care for impulse and complicité and game.

My group was the first to succeed.

It feels good. I’m excited for more!

—

Comments from this week:

  • “I’m afraid to shout because it makes me cry” — a student
  • “Your arms are floppy like you smoke hashish” — a teacher
  • “Did you have nazis in your family?” — a teacher, upon learning one of our students is German
  • “You speak in a toilet voice” — a teacher
  • “I think you’re funny for the wrong reasons”. —my roommate, about me

Clown School Day 1: The Honking Commences

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Squeak. Squeak. Squeak.

A pair of large red shoes emerges from behind the curtain. Above, a painted face under a red wig.

“Am I in the right place?”

—

I considered entering clown school in full Ronald McDonald regalia. Starting with a joke. Establish a clear reputation from day 1.

But that’s not clowning. At least not here. Here, clowning is an Earnest Art. It’s Authenticity. Connection. Sharing. Giving. Kindness. Lightness. Joy. It’s a Raw and Unadulterated Openness. The successful threading of a needle where one side is the Error of Honesty, the other Pretense. We do neither.

Instead, we Play.

Light,

Open,

Gentle,

Subtle,

Friendly,

Kind,

Grounded.

And the best part:

it’s all a lie.

—

We began the day by walking around the space. “Think of a naughty thought,” our teacher prompted. Immediately, eyes magnetized. Twinkled. Lightened. Brightened. Illuminated.

I know my Naughty Thought. My cadre of considerations. My illustrious internal illustrations.

Heeheehee.

The strangest feeling:

some of the students remained flat. Some stayed boring.

But others.

Oh lawd.

Drawn to them: intellectually, physically, psychically, carnally. With appetite, curiosity, interest, want and need.

Whoa.

How beautiful is it to watch someone play.

How beautiful indeed.

After class, I approached one of the clowns. “I don’t want you to take this the wrong way,” I said. “But I loved watching you with a naughty thought”.

She promised me she’ll tell me her thought

as soon as this course ends.

—

Have you ever felt you’re in precisely the right place?

I have.

Twice.

Once, in a Chicago airport. I had flown in for an interview at an arts program for a master’s degree. My bag became weightless. I was Following My Purpose.

The other, today, upon entering Ecole Philippe Gaulier.

Glee. Humor. Airyness. Mixed with hard work and trials. Difficulties and action. Giving it your All and then some.

Crying. Caring. Trying. Opening.

And then

ideally

success.

—

I am currently a student at Ecole Philippe Gaulier, the world’s premier clown school. I write and publish daily.

Mugged in a Crowd

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On a muggy New York summer afternoon, only One Man is fool enough to wear a sweater. He’s attractive in a grungy, Brooklyn sort of way as He leans against a lamppost, cool and calm despite the summer heat. I’m walking south only a few blocks from Times Square when He locks eyes with me. He springs to attention. His opening line: “Give me money, Gypsy.”

There are twenty people within arm’s reach, yet I’m suddenly alone. I’ve never before been called a gypsy, and while I don’t know its associations I suspect it’s intended aggressively. I mutter something noncommittal. His face looms closer to mine: “Give me money for the holocaust, Gypsy.” His sentence betrays a lack of historical understanding, yet I suspect this fact irrelevant to our circumstance.

When I had first spotted Him leaning against the lamppost, I had clocked the precisely-styled single braid dangling beside His head as attractive. Now, I see it more like a distraction on the end of a spear.

I say something that equates to “leave me alone”. The words I choose are imprecise and confused. I only slept 30 minutes last night. But my words, like His, communicate mainly in tone and posture.

“Give me five dollars,” He elaborates. “Give me five dollars for the holocaust!”

I tell him I don’t carry cash.

He’s angry I wasted His time. His right arm pulls back, then shoots forward: a punch. I instinctively pull back my right side, meeting His force with less resistance.

A few New Yorkers turn and comment. It’s not every day you see violence in vivo. Yet no one does anything. Why? Maybe because there’s nothing to do. We could call the police and wait for them to arrest This Fellow, but what would that accomplish? The best argument I can imagine is akin to “it’s your civic duty to get someone like this off the street”. But if that’s true, then why am I the only person I ever see picking up litter as they pass it in Central Park?

Growing up, angry kids told me on at least three separate occasions that one day someone was gonna punch me in the face. I’m now 30 years old and this prediction has not come true. Somehow I think this altercation doesn’t count.

Five minutes later, I arrive to my afternoon date. I tell her this story. She says I was mugged. I agree: it was at least an attempted mugging.

His punch left a bruise, but I’m more struck by my nonchalance. Still now, a day later, I don’t feel afraid. At no point – not even now – was I concerned for my safety. Maybe I deeply understood This Guy. Maybe I knew I’d be fine. Maybe I knew this to be the cost of engaging. Most New Yorkers avoid eye contact with strangers; I’ll meet the eyes of anyone equally bold.

An In-Depth Review

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Airbnb reviews only permit 1000 characters. So here’s my full review of a place I stayed in Cairns, Australia 🤪:

“I’ve been a poor university student for the last four years, but staying here is the first time I’ve felt like it.” —a fellow guest at Anita’s Airbnb

Internal tension is not, generally speaking, what one seeks in an Airbnb. Yet during my 6 days at Anita’s place in Cairns, I found myself not only experiencing a profound sense of dissatisfaction, but somehow enjoying that dissatisfaction and feeling grateful for its lessons.  

Anita’s place somehow provides slightly-above-spartan accommodations at slightly-above-discount prices, but in a hodgepodge of uncanny ways. I’ll give an example: The room boasts plenty of wall outlets — at my count 6 — which is very desirable in an Airbnb room. However, the majority of these outlets are placed above the head on one’s bed, and at no point has any person said “I’d like to plug in my devices right here, above my pillow, with no location to place the device while it’s charging.” The shower, too, isn’t quite wrong but seems like it was designed by someone who had heard what people like in a shower but never used one themselves, as it boasts beautiful tiling, ample hot water, and bountiful nozzle settings, but also dampens your towel because the only place to hang it is on the inside of the shower door. The outdoor dining table is a lovely place to chat with a fellow traveler on a warm summer evening, yet this delight is diminished by the requirement that you wave at the automatic light sensor every 30 seconds to turn it back on. 

If there’s a word to describe my stay at Anita’s in Cairns, that word would be it: “uncanny”. It’s uncanny that I would find the mattress perfectly comfortable, yet also awaken with a hip pain of a sort that I’ve never before experienced. It’s uncanny that I would have a long conversation with the host about making the internet work in my room, which it definitely didn’t beforehand and after which it somehow magically does. It’s uncanny that the Airbnb listing includes twenty-three (23) rules which one must follow during tenancy, and then posters and text messages upon arrival add an additional three (3), and yet existing in this space gives you the sense that breaking the majority of them would simply be ignored. As I was leaving, I snuck a glance inside Anita’s room, and was shocked to see it resembled a security office. If she has three screens of cameras, all presumably monitoring and recording, then why are the drying rack and kitchen trash can always overflowing? I suspect the only rule that Anita enforces strictly is the “absolutely no guests” policy, but somehow also get the niggling suspicion that her uncanniness would give me the thumbs-up on updating my Airbnb reservation from 1 guest to 2 as I’m walking home with a sweetheart in real time.

Anita’s Airbnb gives the impression of an earnest person really truly trying their best but tripping in random ways. Sure, she spams you with a bunch of tour and travel options immediately after you make your reservation, but after that initial volley it’s not like she’s pushy – or even brings them up again. Yes, she’ll make a bit of huff when you’re on your phone at 8:58pm and quiet hours start at 9pm, but it’s the sort of gentle and direct huff that makes you wonder whether you actually were being too loud for even pre-quiet hours. And then, when you’re quieter, it’s somehow totally fine that you talk until 10. The place is spartan yet functional, and isn’t functional what matters? If travel is about exploring a new place, and therefore yourself, isn’t it appropriate that you finally feel like a poor university student if that’s what you are? Still, it’s not particularly pleasant to feel like a poor university student, so I give Anita’s place three stars. 

Care / Try / Worry / Do: A Psychological Framework

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  • Care = believing something to be important.
  • Try = psychological effort, eg imaginative rehearsal or planning.
  • Worry = physiological/emotional arousal.
  • Do = action on the world.

These four functions are separable: each can be on or off individually. There are 22 different combinations. Some of them have names. E.g. Try + Worry + Do (without Caring) is called ‘Being triggered’”, Care + Do (without Worry or Try) is called “Being in Flow”, and “Maturity” or “Expertise” is Care + Try (with decreased Worry and Do).

I have a hunch that we exist in many or all of the 22 mental states at different times, and that one could use these mappings to intentionally move between states. (E.g. When “Practicing”, aim to be in Worry, Care, Try, and Do, but when “Playing”, exclusively Care and Do.)

I’m considering making a flowchart of the 22 different possible states, with arrows + tactical blurbs indicating when one should be in them and how to move between them. Thanks for reading this blurb – I have three quick questions for you:

  1. Is this framework interesting?
  2. Would you find such a flowchart interesting?
  3. Do any of the terms (Worry/Try/Care/Do) seem misfitting? If so, what terms would be more appropriate? (Eg I’ve considered “Act” instead of “Do”.)

Covid Currents

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This article is an anonymous guest post by a brilliant writer and dear friend. Its views and opinions may or may not represent my own. They certainly represent my friend.

Remember when you weren’t a total asshole for getting all of your friends sick? You’d show up to the party with a little sniffle and say “yeah I was throwing up yesterday, it sucked, but I’m a trooper so here I am at Feb Club.” A few days later a few of the people would get sick and think “ugh, I must have gotten it from them.” It sucked for maybe 24 hours but wasn’t that big of a deal.

I remember that time, when my willpower was the only thing standing between me and my friends. I worked the long hours to make the money. I’d take the craziest flights with the craziest layovers. I would stay up all hours of the night finishing homework I should’ve done yesterday. This community. This connection. This is what matters.

I’ve looked forward to my college reunion since the day that I graduated. I remember standing in a circle with my friends in the Trumbull courtyard, pieces of smashed tobaccoless pipes scattered across the stone, and thinking “at least I’ll get to relive this moment in five years. I know it won’t be the same. I know everyone in this circle won’t be here again. But I will be here.”

Until I couldn’t. At year five, the entire event was canceled. It wasn’t safe to invite a global population to gather. At year six, the invitation was open and I was forced to decline. At any other point in history, I would’ve shrugged off my cold symptoms and carried on. In 2022, one faint pink line trapped me behind the glass watching snapshots of my friends reunite without me. 

Over two years later the pandemic still is thrashing through our lives wreaking havoc in more ways than one. We all find ourselves forced to draw a line in the sand and wage an internal battle with ourselves of when we can cross it. Each wave of new information eradicates our former boundaries and forces us to draw a new line. Even if we plant our feet firmly in the ground and refuse to move, it’s inevitable that the current pulls us as we tumble through the wave.

When we come up for air, we find we’ve drifted further apart than we ever have before. And many of us will decide it’s not worth the risk to find our way back to center. 

Weeks ago, my friends said, “we will do anything to make it happen.” Outdoors. Masks. 6ft. Not ideal but doable. A thin line where we could meet without crossing boundaries. When the day came I found myself alone in Central Park, surrounded by strangers, because no one came. Despite all of the texts filled with brief apologies I couldn’t help scanning the crowds at each turn. I knew my friends were somewhere among them, just out of reach. 

I read their promises: “we will see each other again soon.” And for the first time, I don’t believe them. We’ve changed. We have new priorities. “When my semester ends.” “When work slows down.” “Once I move into my new apartment.” … And as much as I want to recall those feelings of connection and belonging over the smashed tobaccoless pipes, the rejection I feel now is overwhelming. 

As my friends took their last maskless selfies before heading into New York City, some took the virus with them. They had spent three days dancing, drinking, kissing peers who had flown in from all around the world in blissful ignorance. 

At the end of the day, the passengers on the train, the patrons in the restaurant, and the millions of strangers in New York were worth the risk. I wasn’t. 

Maybe this is the same path taken time and time again. Friends grow up, and move on. But something today feels different. This virus has accelerated the timeline. It stole two years of our youth. It stole the days when our priority was still finding each other. It dumped us on the other side, scarred and unprepared for the conversations that lie ahead in our relationships. 

It’s no one’s fault. I’m still angry. 

Maybe we should more clearly mark our boundaries. Maybe I need to stop forcing people to draw their line in the sand.

Maybe life is just that hard and all we can do is try to keep our own heads above the water.  

For now, I continue to sit in my disbelief. Staring at a puzzle that I have no interest in completing. And just wait for all this to be over. 

17 syllables on my most exhausting week in memory

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New job + old job = tough week. I couldn’t do it, but I care.

(I started a new job this week. It’s co-founder at a startup. I’m still ghostwriting for some people & editing for others. The co-founder role is a full time gig. My former job is still a full time gig. Dear Lord [that’s you, Smidgen], How are we gonna get through this?)

(The ending “I couldn’t do it but I care” is intended as an allusion to the impossibility of stretching oneself until necessity and desire intersect. I’ve done things this week that I couldn’t have done. But must + want => can. So I do.)