Tag: Theater

Clown School Day 6: Putting the Text on the Game

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In which Our Hero attempts to cohere the visual-auditory media 🧐

Should the game be a visual metaphor for the scene, or should it be an unrelated game?

My suspicion is the former. A coherence between the game and the dialogue makes for richer depth of audience experience. It does, however, bring increased danger of “playing the text”, which is bad.

The scene is Taming of the Shrew, Act II Scene 1. The scenario is: Petruchio (me) commences his wooing of Kate (my classmate). The game is… well, that’s what we’re deciding.

We want the game to be not so on-the-nose as to be boring (ie “playing the text”). I also want the game to be sufficiently related that the visual experience parallels the auditory experience.

My partner suggested catch. I think it’s a sufficient, satisfactory choice, a serviceable game. I wonder if we can elevate the experience by mirroring the text more. Dodgeball instead of catch, for instance. Or we line up a row of soda cans behind us and have to defend them while the other throws a ball to knock them down. These games mirror the text: verbal prods à la dodgeball; or Petruchio attempts to knock down Kate’s defenses → Kate fires back → we repeat.

It’s fun to watch people play a game. It’s fun to watch multiple communication media cohere. I think ideal theater is both.

—

My roommate received five zeros today. The most zeros I’ve seen. Brutal.

When he strode onto the stage, the teacher said, “This guy never understands anything.” Then, after he spoke one single word, the teacher banged the drum to kick him off stage. He walked back to his seat. She said “You get zero. No: zero is too good for you. You get double zero.” He said, “I understand it now: give me another chance”. She said, “It’s Monday, so I give you another chance”. He returned to stage. He spoke one word. She banged the drum and bestowed upon him three more zeros.

An hour later, I saw him at home. He told me he understood what he had done poorly. Her zeros had taught him. He went to the bar to socialize with friends.

In April, my final presentation received a zero. The one thing I had practiced for three weeks: when it came to my final performance, zero. “First zero of the day”, my teacher told me.

Somehow, being first didn’t help.

Maybe that’s the game: collecting zeros until you crash. And the moment you give up: you receive your first one.

Clown School Weekend 1.2: Phoning It In

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In which Our Hero phones it in with a brief reflection (it’s the weekend, after all)

I started memorizing lines this weekend. The school doesn’t care what the words mean: only that you say them exactly right. It’s strange to memorize language as sound instead of sense.

I’ve been using a first-letter mnemonic I found on YouTube, which works surprisingly well. Combine that with the top-secret trick of practicing right before bed and again first thing in the morning, and the lines get codified much faster.

That’s all for today. Tomorrow begins Week 2 of Clown School. Onward! 🎭

Clown School Day 4: Impulse

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In which Our Hero finally does something right

Impulse is not a Sunday afternoon jog; impulse is race day, the gunshot ringing in your ears.

Oftentimes, a theater player starts with strong, vibrant impulse… and then that impulse drops to the floor.

Instead, bring the impulse out to the audience. Up to the sky, sometimes. Never to the floor.

We played a game today where students were caught by their fellows (in a trust-fall sort of way), then launched forward and back across the room, like boxers bouncing off the ropes. The impulse of being thrust forward is unmistakable. The challenge: you must then take the impulse with you as you run, careening to the other side with vibrancy and vigor. Do not confuse impulse with speed. A snail crossing the road can embody more impulse than a hollow-eyed sprinter at 10,000 times the pace.

Now, add text atop the impulse. When you speak Shakespeare, are the words flat? Do they sound like some archetypical Shakespearean Actor, or do they erupt FROM YOUR VERY SOUL???

Impulse is that soul expression. It’s a small green twig poking out through cracked concrete. A baby bird pushed from the nest: now falling, fly or die. Can it use its vigor to propel itself forward? A person on soporific drugs, sapped of their vitality: they lack impulse, which is perhaps why seeing them is such an emotional pain. It reminds us of the lifeless state to which we will one day return.

I felt, today, the vigor of impulse. To land my words on top of this impulse like a pebble skipping across the pond. If each word you say comes with VIGOR, with REALITY, with EXISTENCE, being ENOUGH AS ITSELF,

the ripples will cascade farther than the pebble ever could. Impulse is where creation comes from. And creation is everything.

—

I was told today my impulse was good. My voice was good (Our teacher: ”We will not need hearing aids”). My fixed point was good. I remembered the game. As close to a compliment as one receives at this school: I received the lessons and demonstrated them today.

Impulse isn’t mere theory. The day after my breakup, I applied to clown school. That’s impulse. Nurture it. Follow it. Help it grow.

Now, at clown school from October through June, the goal will be: keep the impulse alive. Stoke it. Add fuel as it requires. Harness it when it becomes too spastic. Power forward with the impulse. Even through each fixed point.

Of course the impulse powers through fixed point. You can stop the body, but never The Game.

Honesty in Comedy

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Yesterday I intentionally lied to you. I posted an AI-generated picture of a tattoo, claiming to have received this tattoo while drunk in Bali.

I have never received a tattoo, nor have I been drunk in Bali. I lied because it was April First, the only day out of the whole year when non-malicious lies are more than accepted: they’re celebrated.

I’m currently writing a personal-history one-man show that aims to be honest, to entertain, and to have impact. Honesty is tough when speaking to a diverse audience. New Yorkers will take your words at face value unless you indicate exaggeration via a clear tonal inflection. (Does this make New Yorker a tonal language? I say yes.) Brits and southerners prefer a deadpan that allows them to employ their own bullshit detector. One cannot satisfy everybody’s requirements for honesty while preserving the level of humor I desire. In my upcoming show, I will need to choose between being a comedian (entertainment) and being a journalist (honesty). I will need to have a defined stance, if only to maintain my ability to sleep well in the face of twitter criticism. John Oliver threads this needle by claiming comedy, which allows him to have the impact of a journalist without the industry’s behavioral constraints. Is this cheating? Absolutely. But it’s also an elegant way to win. So here’s how I define my stance:

These distinctions are absolute tosh. They’re like saying “a comedy ends with a marriage; a tragedy with death.” When was the last time a romcom ended with the marriage of all significant characters? Or a modern tragedy ended with a Hamlet-like bloodbath? We’ve been mixing genres over the last few years because they’ve always mixed. And April Fools is a holiday to remind us the ability to impact truth through lies. Is Amazon’s 2013 Cyber Monday claim that they’d have drone delivery in two years any more of an April Fools hoax than the 2019 April Fools joke of an Amazon delivery blimp? Many people even treated the April Fools one more seriously while ridiculing the the Cyber Monday one as a joke! Impact-wise, isn’t the main difference publication date, enabling Amazon to be the most-discussed retailer on one of the most profitable retail shopping days of 2013?

Approximately 50% of the people who received my tattoo message recognized it as an April Fools joke. The other 50% were hoodwinked. I debated over telling these hoodwinked people “April Fools!”. I’ve concluded I’m not going to. Because at some point most of them will realize that it was an April Fools joke. And doesn’t the fact that the joke lasted months or years make it even funnier?

And for those who never realize it, I’ll take solace in the fact that I’m not a journalist, nor a comedian: I’m an axolotl that regenerates its skin every few months, which is why the tattoo has already vanished. But I’m sure you already knew that.