Will You Take Twenty Dollars?

The goal of the game is to play. You play by paying the entrance fee. Everyone’s invited. 

Outside the original ruin bar in Budapest, the bouncer quoted me the price to skip the line: “Ten euros.” 

“Ten euros for two?” I offered. 

“Ten euros each,” he said. 

“Will you take twenty dollars for two?” 

“Of course,” he replied, in a voice so light and generous it could only belong to commerce. ($20 is about 15% less than 20€.)

He wasn’t being sloppy. He was filtering. Part of his job is revenue generation. The other part is selecting patrons who will spend more money inside. The 15% discount doesn’t matter; if we’re willing to play his game, he’s already won

My favorite cities have always been the commercial ones. Vegas when I was young, then recently New York and Amsterdam. They run on a meritocracy of cash, with a cosmopolitan, equalizing energy. Nobody cares who you are or where you came from: Your money is good here. 

Everyone in these cities is trying to screw you, at least a little, and often not subtly. New York: There’s a man in an official-looking vest selling tickets to the Staten Island Ferry, which is free. Vegas casinos install ugly carpets and no clocks so you keep your eyes on the slot machines and forget what time it is. The Dutch more or less invented economic colonialism. None of these are ethical, but there is a particular brand of honesty to them. There’s an honesty in a structure being explicitly hyper-optimized for a purpose. A traveler going to Las Vegas may affectionately refer to it as “Lost Wages”, and go anyway! 

Social games (status, position, politics) extract, too. They just don’t tell you the price. I’ll take the bouncer with a clear sense of haggle over a gatekeeper with an opaque shibboleth any day. He’s named his price. I haggled at it. He accepted. 

Commerce can be a brutal game. But it’s also fair, kind, and possible. I remember talking with a homeless New Yorker two blocks from Central Park in 2021. Israeli-born, formerly US military, he told me he loved homelessness in New York: the crowds, the parks, the safety, the free food everywhere. New York is a wonderful place to have nothing.  

So was Las Vegas: it was the first place I went when I moved into a van. You don’t need to gamble; you can people-watch, eat a meatball the size of your head for $10, or palm a $1 cocktail shrimp meant to lure you toward a table you’ll never sit at. Abundance runs downhill to those willing to travel for it. But you must be willing to travel. And you must accept that one day it will dry up. 

This new generation doesn’t gamble. Vegas, needing new revenue sources, raised its food prices. After my prior trip to Sin City disappointed, the last time I had the opportunity for a layover in Vegas, I went to Reno a day early instead. 

The bouncer’s “of course” was more than a discount. It felt like the loose money of my early twenties, the ZIRP years in the Bay Area, when a kid fresh out of college could get hired to write at $50 an hour because nobody was counting that closely yet. It felt like being let in.

Your money is good here. So is mine. The door is open if you’re willing to play.  

And perhaps the most beautiful part: Whenever some entity – a country or company or culture – makes rules excluding some people from playing, they’ll rapidly lose the commerce game that made them dominant in the first place. It’s self-correcting, a thing of beauty. 

Of course.

Clown School Break Day 21: The Egg Game

In which Our Hero encounters an eggregious machine.

Walking through the casino today, I saw a brilliant game.
A perfectly engineered one.
A real bad egg.

It’s a slot machine called something like The Egg.

You put in your money. You slap the button.
Standard procedure.
Nothing shell-shocking.

But instead of reels to spin, there’s just an egg on the screen.

Every time you slap, the egg cracks a little more.

And when the egg is fully broken –
crack
you win a jackpot.

The jackpots (at the $1 play level) range from about $3 to just over $10,000.
All of them are progressive.
They grow the longer you play. 

The egg takes a variable number of slaps to break.

It’s a well-made game.
Eggsactly balanced.

Here’s why.

1. It redefines winning.
You will win.
The only question is when.
Just keep putting money in until the egg hatches.

Winning doesn’t feel like if.
Winning feels like eventually.

2. You feel progress.
Every slap cracks the egg a little more.
You’re getting closer.
A chip here, a fracture there.

Are you actually closer?
Who knows.
But it looks like you are, and that’s all your nervous system needs.

3. Everything is a jackpot.
I watched a man spend $70 chasing one $10 jackpot and two $3 jackpots.

He won three times.
He lost $54.

But emotionally, during the process?
Sunny side up.

After he left?
Fried. 

4. It’s intelligible.
Most modern slot machines are incomprehensible.
You don’t even know what the rules for winning are until you’ve played for a while.

That confusion creates a false sense of mastery:
“I’m learning the game.”

You are—but learning doesn’t help.

The Egg is different.
Egg → crack → jackpot.
No shell game.
No mystery meat.

Immediate understanding.
Immediate hook.
Egg-ceptionally approachable.

A game egg-zactly positioned to attract newbies. 

5. It creates tension – and guarantees release.
The egg will break.
That’s the promise.

When that suspense releases, however,
the yolk (“joke”) will already have been on you. 

6. Your action feels causal.
Slap the button.
The egg jiggles.
A crack instantly appears.

Your body doesn’t care about RNGs or payout tables.
Your body says: I did that.

7. You can mash.
On a normal slot machine there’s a pause between spins.
The Egg?
You can mash the button 30 times in 30 seconds.
(I saw a guy mash 70 times in under 3 minutes.) 

So if you spend $40 and win $20, you feel frustrated.
And to relieve that frustration:
Have you considered mashing the button?

The feedback loop is tight.
The illusion of control is strong.
The design is…
let’s be honest…
eggstraordinary.

That’s it.

I’ve cracked it.

And now I’m walking away, before I get completely scrambled. 🥚

(Author’s note: I did not actually play the game. I am not a fan of slot machines. I did, however, admire it from afar. Here’s a video of someone playing it.