An Ex texts, “Marry me?”

An Ex texts, “Marry me?”

I say “You must be reading my blog.” She says no. She says she’s serious. Phrases include, “Clearly soul mates”, “White picket fence”, and “Multiracial adopted kids”.

How the hell does someone respond to that? After sufficient bewilderment, I settle on: “No thanks. Not really interested”. Later, I add, “But I suppose I appreciate the sentiment”.

After an hour of confusion, including texting a mutual friend to ask if Ex is okay, Ex tells me it was a joke. She has, in fact, been reading my blog. A joke, you say? Ha…

Ha…

I guess.

I suppose I deserve this. And I did ask for more pranks. It’s also eye-opening: this must be what friendship with me is like.

Ode to a keychain

Keychain,

Tiny desire for identity

In a cookie-cutter world.

 

But this one’s “so you,”

Just like thousands

Have thought before.

 

Original–truly novel–

Frightens the close-minded…

And we’re all close-minded.

So we stick to

The same safe deviance

As everyone else.

 

But it brings you joy.

What more do you seek?

What more is there?

It’s only two dollars.

Just buy it already.

When is it okay to avoid the world?

At 9:11am, the morning’s not-funniest time, I slipped 50mg of caffeine past the tape on my mouth before crawling back into the safety of my dreams. Another hour-and-a-quarter passed before my bunkmate awoke, only after which did I first leave my bed. How much of this time was spent avoiding the world?

I’m coming off a cold. Perhaps that’s why I’ve been sleeping so much. I’ve also been emotionally exhausted, overcoming a childhood trauma and rebuilding after a breakup.

My bed is warm. My bed feels safe. In it, the world feels far away. My mind moseys, wisting aimlessly from place to place. I like that safety. I like that oblivion. I live for that vacuum between conscious and gone.

It never mattered why

The chicken crossed the road. The road’s mom called the chicken’s mom.

“You can’t go crossing other people,” the chicken’s mom told her daughter.

A week later, the road crossed the chicken.

“No need to cause a fuss,” the chicken’s mom told her daughter.

“But she’s an asphalt!”

“Don’t use that language! And be the bigger person.”

While the road continued walking all over other people, the chicken never again crossed a road.

The road became a successful hedge fund manager. The chicken never amounted to much. She was too… chicken.

It never mattered why.

For Writing’s Sake!

What do I do when I don’t want to write?

I write about how I’m annoyed.

Dozens of writings begin with the phrase,

“I don’t want to write today.”

After a while it evolves into poem

Or into emotional quandary.

The process can feel like picking a scab

Or bleaching ratty laundry.

 

Sometimes I only know five minutes in

That my first few beginnings were flounders

Eventually arriving at the place in my mind

Where seconds are minutes are hours.

Time stands still and speeds along

As I’m lost in expressing myself.

I nibble at feelings, explore one of my sides

Before putting it back on the shelf.

 

Most of the time I write end-of-day;

It typically feels like a chore.

Why do I do it? Why write every day?

Because that’s what a writer is for.

A stabilizing force, it keeps me sane,

Reminding me life has no breaks.

Even if just one sentence: “I don’t wish to write,”

I write for writing’s sake.

The band Bastille acts like a stripper

The band Bastille acts like a stripper

or

“Why you up there dancing for cash? I guess a whole lot’s changed since I’ve seen you last.”

An Open Letter to Bastille, Regarding Their Version of This Song

 

Bastille,

“What would you do if your son was at home, crying all alone on the bedroom floor because he’s hungry… for an emotional range and your song destroys any chance for change?”

When you make this song poppier, more direct, and clearer, why do you also eliminate the whole point of its existence? The original is impactful. It’s an empowering parable. It says the suffering of single motherhood is beatable. You cut that part. Why?

  • Do you think an audience can only process one emotion per song?
  • Would you rather have memorable repetition than impact your listeners?
  • Is empowerment off-brand?

These cuts are a cop-out. They’re the bad version of selling out—not the “selling out” that just means “making money,” but the one that means making directly harmful art. Specifically, here’s what I’m talking about:

 

The original version of the song’s bridge, as written by City High:

(What would you do?)

Get up on my feet and let go of every excuse

’Cause I wouldn’t want my baby to go through what I went through.

(What would you do?)

Get up on my feet and stop making tired excuses

Girl, I know if my mother can do it, baby you can do it.

 

Bastille’s cover version:

(What would you do?)

Get up off my feet and stop making tired excuses

Get up off my feet and stop making tired excuses

(What would you do?)

Get up off my feet and stop making tired excuses

Get up off my feet.

 

Sure, this is a small change, but it’s the whole point of the song. As Wikipedia describes:

“The song, along with the accompanying music video, is a motivational anthem for single parents dealing with poverty and especially acknowledging all the single mothers who feel forced into prostitution due to the need to support their children.[4] It encourages them to keep strong, and keep going on for the sake of their loved ones, and passes no judgment on their profession.”

 

It’s a motivational anthem. To motivate someone, you have to change their emotional state. All you’ve changed is the song, from empowering to wallowing.

… And what about “Get up OFF my feet?” Your new line doesn’t make sense! The original line is “Get up ON my feet”—as in “get up and make a change.” Do you really mean to tell the stripper, “Relax! Take a load off?” Did you cover the song without first understanding it?

Without these changes, I’d prefer your version over City High’s, but you cut the only part that made me cry. I hope this is welcome commentary–if I made such a misstep (and I believe it’s a misstep, not just a matter of taste), I’d want someone to tell me. You might have cut the track to make it more digestible or easier to play on the radio. But even through the corporate lens, if a song has no effect, why listen again?

I listen to City High’s version on repeat to feel better. It moves me. It makes me want more than their one released album. When I hear your version, I feel angry at the state of stripped-down, repetitive, surface-level mass media that would rather profit from suffering than improve lives. If you could re-record it, Bastille, what would you do? 

I feel the urge to text my exes, “Marry me?”

I feel the urge to text my exes, “Marry me?”

It’s not a serious question. I’m not a serious person. I’d text them for the same reason I took the side running path this evening to follow a guy wandering down it to pee. I wanted to see his reaction as I approached, catching him with his pants down. ‘Twas a sweet and savory surprise and amazement with impressively little (I saw no) fear. I wanted him to doubt for a moment the reality of the world around him.  I didn’t stop beside him or start up a conversation—that would make him feel unduly uncomfortable—but continued running as though our meeting were happenstance.

As long as I can remember, I’ve considered myself the Jester. Not the king or ingénue but the comic relief. The one who enthralls the world by showing people a side of themselves they forget exists. The side that compulsively touches every street sign and picks up a tree branch to smash it in half. The side that caws at women squatting across the creek and still, at 25, enjoys high-pitched “ting” sounds. The side we all share that’s exhilarated by destruction.

I’ve had this notion—text “Marriage?”—more than once. I’ve never done it, because it would hurt a person and ruin a relationship.

My relationships with exes have recently lost their importance. What if I picked a small one—one of my many lesbians, like the woman who wanted my babies at eighteen and has now been married to another woman for the past three years? What if I tried it–just a little, you know, to see how it feels? It’s mean, yes, but also I’m curious. Great art often ruffles the comfortable and comforts the ruffled, and I’m clearly quite ruffled in this here mood. Some people simply want to fluff the world. 

I pranked a friend last year, setting him up for a surprise lunch with Mormon missionaries. I thought he’d enjoy it. I never lied to either party, but also didn’t tell each who was coming. My friend was minorly annoyed that I’d wasted his time and majorly peeved I’d been rude to the Mormons—as he put it, “by using them in a prank.” I’m sure the Mormons were fine—we remain friends to this day. They received a free lunch and a warmer lead than their typical method of knocking on random doors. Still, I miscalculated. The friend didn’t appreciate it. I miss my former image of that friendship. I miss the friendship I thought we had. I miss feeling less alone, less one-of, less off.

In college, a friend turned my room into its mirror image. He moved every item to its exact opposite location. Clever prank. Great friend. I had to move each item back. Every prank comes with a cost. I wish I had more friends who played pranks on me.

When life feels like today, I’d even take an engaging negative: the loss of a beloved pet or someone breaking my heart. But those take investment—devoting enough love to something that losing it hurts. I’ve had trouble doing that since my most recent breakup. I’ve claimed it’s because I haven’t found a new someone. It’s really because I haven’t been looking.

Self-Portrait of the Author as a Hungry Man

At sixteen, Julian could eat a whole pizza in one sitting. He’d be stuffed before downing those last few slices but finish anyway, because he hungered for achievement long after satisfying his hunger for pizza.

Yesterday, twenty-five-year-old Julian stayed awake for twenty-six hours. As he puts it, “one should spend times of plenty preparing for times of famine.” He calls it a “sleep fast” and planned to reach a whole day-and-a-half, but ended it early when he realized sleep fasts should be undertaken on days that don’t require driving.

Julian is most familiar with this style of self-disciplined self-deprivation from his multi-day foodless fasts, the longest totaling one hundred thirty-six hours (five-and-a-half days). He has completed a total of fifteen foodless fasts (each a minimum of three days long). There are known health benefits of foodless fasting. There are no known health benefits of sleep fasting, but he feels a calm sense of power for the following few days.

To cap off his sleep fast, Julian devoured a large $10 Costco pepperoni pizza. While you technically don’t have to be a member to eat at the food court, you certainly don’t have to be a member if you walk past the ID checkers when they’re not looking. If you employ this method, you also get to feel smug. There are no known health benefits of eating a whole large $10 Costco pepperoni pizza, but he did anyway. What a rebel.

The Anti-Hero Triumphs.

I don’t tolerate perceived bullshit and can be abrasive in the best of times. After a month of cold showers and a 2am night followed by a 6am wakeup for an 8-hour-long hike, when the gate agent tells me I can’t board the airplane home, I get pissed. When pissed, I get creative.
I can’t get on the plane because my bag is too big. It won’t fit in the overhead compartment, says fiery-haired young gate agent Miguel.
“Can you check it?” I ask.
“The bag-check counter closed an hour before departure.” I did arrive only 55 minutes before departure. This whole kerfuffle–all that follows–is my fault.
“I was here 5 minutes before the hour,” I say. “The counter was closed.”
“No you weren’t,” he says. “I was the one who closed it.”
Our relationship has begun on… rocky footing.
“Take a seat over there,” Miguel tells me. “We’ll reschedule you after this plane leaves.”
“When does the next flight land?” I ask him.
“Tomorrow.”
This is an implementation of what I call manaña culture:
“The willingness to put up with unsatisfactory solutions, especially ones that involve delays or wasting time.”
The first cultural difference I noticed in Colombia was the propensity of slow-moving lines. Fixing the bathroom door in my AirBnB apartment took a whole week. Purchasing an official SIM card required a 45-minute wait for the saleswoman. That’s like walking into Verizon and the phone seller being “out.” Here, “tomorrow” feels like never.
I try other tactics, beginning with bribery. “Is this a problem that can be solved by money? Because I’d be willing to pay any number of pesos.” An implicit bribe and plausible deniability: very proud of this move.
“No,” Miguel says. “Take a seat over there.”
Creativity: “Can I ship it? Mail it? Give it to a friend?”
No, no, and no. “Take a seat over there.”
Emotional appeal: I screw up my face and sob. Great move. Really proud. I didn’t even know I could.
“Don’t cry,” says Miguel. “Take a seat over there.”
I continue crying and not-moving-toward-the-seats-over-there. After a minute of crying, the tactic clearly won’t work. I cease the tears and take a seat over there.
The problem is my suitcase. What if I didn’t have it? I move the valuable items to my backpack and unpack the suitcase into a large gray trash bag. How to dispose of the suitcase? In the garbage, of course. I dump it beside the trash in the single-stall family restroom.
Returning to Miguel, I offer him my boarding pass. “Take a seat over there,” he says as though it’s his catchphrase.
“I don’t have the bag. I threw it away.”
“This is an international airport. You can’t just throw away your luggage.”
“What do you mean I can’t?”
“For security reasons.”
Still now, in my calmer mind, I find this absurd:
  1. It’s unenforceable. Someone could very easily trash a suitcase without being noticed. Not me, of course, because Miguel has an annoyingly normal memory.
  2. The suitcase itself has come through security. What’s the point of security if it doesn’t screen items?
  3. What constitutes luggage? If I carry in a bag of McDonalds, eat the food and trash the bag, that’s clearly allowed. What if I transport clothing in a shopping bag (as many people do)? If I move the clothing to my backpack, is the plastic bag un-disposable?
This whole situation makes no logical sense. It only exaggerates my belief that terroristic security measures are more dangerous than the actual threats.
I did, however, tear the name off my luggage when I left it in the bathroom. I was clearly aware someone might find this disposal suspect.
“Can I talk to your manager?” I should have played this card earlier.
“Yes, when the gate closes. Take a seat over there”
I begin crying again. “It’s my mother’s birthday tomorrow.” Another lie. Not proud of this. Also not very strategic. If emotional appeal didn’t work previously, it’s unlikely to now.
I try talking to the other gate attendant. She doesn’t speak English and pretends not to hear my broken Spanish. I don’t like her. I’m a customer and she literally ignores me. I can see why she does it. I just don’t respect the tactic from a customer-service perspective.
The fight pauses when I ask Miguel his name. He points to his badge. “Miguel,” I say. “You must have a hard job. You have to deal with passengers like me every day.”
“Not every day,” he says.
“Where are you from?”
“Here.”
“Where did you learn English?”
“Here.”
“Why do you speak with a British accent?”
He points to the flags on his badge. One is the Colombian flag, the other England. My question remains unanswered. Our ceasefire ends:
“Repack your suitcase and sit over there.”
I retrieve my suitcase from the single-stall restroom and insert the plastic garbage bag in it. The suitcase is thinner now that the bulk is in my backpack. There’s also an expander—I zipper it down. It might even fit now. I bring it to the gate. “Can we try?” I ask Miguel. “See if it will fit?”
Miguel eyes the bag and assents to the test. He scans my boarding pass and escorts me down the gangway. “If it doesn’t fit,” he says. “You can’t board the plane.” He obviously wants to be rid of me (or is just doing his job).
Lo and behold, the collapsed bag fits. I solved every problem before the one he actually named.
The man in the seat beside me, Juan Pablo of Mexico, asks what the problem was. He probably saw me crying. I tell him my stupidity and don my eyeshade. The anti-hero could clearly use a nap.

Daily Grind

Waking after 9 am and sleeping only 13 hours later, I’m struck by all the grinding ground up in today:
  1. I ground myself out of bed
  2. by grinding my teeth
  3. then ground through 6 hours of work
  4. while my video game characters ground levels in the back-ground.
  5. Despite skipping my daily meditation, I still felt grounded.
After days like today, I even smell like the ground.