Tag: Non-fiction

Clown School Day 2: On Priorities and Preferences

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Clown school is the study of choice.

Wait, no — that’s economics.

Clown school is the study of…

Well, now I’m thinking about choices.

Here they are:

  1. Study the Shakespeare lines for next week
  2. Drink alcohol at the local bar
  3. Sit with people drinking alcohol at the local bar
  4. Run
  5. Eat
  6. Clear out my email inbox
  7. Write
  8. Rehearse with classmates for this week’s presentation

A day only has so many hours.

School takes four, plus thirty minutes on either side to prep and recombobulate. Add eight hours for sleep (okay, nine — I like to wind down in bed :), and you’ve got thirteen hours accounted for. I like running every day, so add an hour for stretching, run, five-minute abs, and shower. That’s fourteen hours. Ten remain.

So if the math works so well, why have I been failing?

Sequencing.

I haven’t been eating lunch, so I’m starved after school, which is prime socializing time. If I brought my lunch, I’d be less famished at 2 p.m. I like doing movement class fasted, so I’ll keep that. But maybe a nice burger patty and baguette for lunch… could be nice. 😋

And then, who to socialize with?

Drinkers have it easy: go where people drink → drink → hours disappear. I don’t enjoy drinking, nor do I enjoy drunk people, so I’ll pass. (I gave it a try today. “Maybe this context is different,” I thought. Turns out it’s students slowly soppifying, discussing people who aren’t present, maybe one bit of information every thirty seconds, and a lot of “what was that?”. And when someone stands up to leave, it feels like monkeys pulling the escaping monkey back into the boiling soup.)

I’m glad I ran. I’m glad I ate. I’m glad I wrote.

I’d like to be more social. The key, I think, is to socialize in my own way.

It’s day two. I’ve not yet clicked with the people I’m going to click with.

I grabbed coffee with a student today. That was nice. Worth doing. An enjoyable hour.

There are thirty of us. Will I get coffee with everyone? At one per schoolday, that’s six weeks. 😬

I prefer meeting people one-on-one. Spending time in depth. Learning what makes them tick.

I’ve scheduled dinners for tomorrow and Thursday. I hope to find people I enjoy seeing socially.

The class itself has been nice. Not much to it, but nice. We’re learning the definitions of words by repeated use. A few tactical elements (“Show your teeth! We want to see your teeth!”); mainly punishments (“You forgot the game: you get a zero!”).

I want to meet my people. To find the ones I fancy. Then, to build habits around those happenings.

9 a.m. wakeup. 9:15 a.m. rehearsal. 10 a.m. movement class. 11:30 a.m. lunch. Noon improv class. 2 p.m. rehearsal. 2:30 p.m. phone call with my sister, perhaps while running. 3:30 p.m. rehearsal, study, socialize, catch up on life… 🤔

Clown school is about choice, if only because everything is.

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Clown School Day 1: The Honking Commences

Julian2 Comments

Squeak. Squeak. Squeak.

A pair of large red shoes emerges from behind the curtain. Above, a painted face under a red wig.

“Am I in the right place?”

—

I considered entering clown school in full Ronald McDonald regalia. Starting with a joke. Establish a clear reputation from day 1.

But that’s not clowning. At least not here. Here, clowning is an Earnest Art. It’s Authenticity. Connection. Sharing. Giving. Kindness. Lightness. Joy. It’s a Raw and Unadulterated Openness. The successful threading of a needle where one side is the Error of Honesty, the other Pretense. We do neither.

Instead, we Play.

Light,

Open,

Gentle,

Subtle,

Friendly,

Kind,

Grounded.

And the best part:

it’s all a lie.

—

We began the day by walking around the space. “Think of a naughty thought,” our teacher prompted. Immediately, eyes magnetized. Twinkled. Lightened. Brightened. Illuminated.

I know my Naughty Thought. My cadre of considerations. My illustrious internal illustrations.

Heeheehee.

The strangest feeling:

some of the students remained flat. Some stayed boring.

But others.

Oh lawd.

Drawn to them: intellectually, physically, psychically, carnally. With appetite, curiosity, interest, want and need.

Whoa.

How beautiful is it to watch someone play.

How beautiful indeed.

After class, I approached one of the clowns. “I don’t want you to take this the wrong way,” I said. “But I loved watching you with a naughty thought”.

She promised me she’ll tell me her thought

as soon as this course ends.

—

Have you ever felt you’re in precisely the right place?

I have.

Twice.

Once, in a Chicago airport. I had flown in for an interview at an arts program for a master’s degree. My bag became weightless. I was Following My Purpose.

The other, today, upon entering Ecole Philippe Gaulier.

Glee. Humor. Airyness. Mixed with hard work and trials. Difficulties and action. Giving it your All and then some.

Crying. Caring. Trying. Opening.

And then

ideally

success.

—

I am currently a student at Ecole Philippe Gaulier, the world’s premier clown school. I write and publish daily.

Mugged in a Crowd

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On a muggy New York summer afternoon, only One Man is fool enough to wear a sweater. He’s attractive in a grungy, Brooklyn sort of way as He leans against a lamppost, cool and calm despite the summer heat. I’m walking south only a few blocks from Times Square when He locks eyes with me. He springs to attention. His opening line: “Give me money, Gypsy.”

There are twenty people within arm’s reach, yet I’m suddenly alone. I’ve never before been called a gypsy, and while I don’t know its associations I suspect it’s intended aggressively. I mutter something noncommittal. His face looms closer to mine: “Give me money for the holocaust, Gypsy.” His sentence betrays a lack of historical understanding, yet I suspect this fact irrelevant to our circumstance.

When I had first spotted Him leaning against the lamppost, I had clocked the precisely-styled single braid dangling beside His head as attractive. Now, I see it more like a distraction on the end of a spear.

I say something that equates to “leave me alone”. The words I choose are imprecise and confused. I only slept 30 minutes last night. But my words, like His, communicate mainly in tone and posture.

“Give me five dollars,” He elaborates. “Give me five dollars for the holocaust!”

I tell him I don’t carry cash.

He’s angry I wasted His time. His right arm pulls back, then shoots forward: a punch. I instinctively pull back my right side, meeting His force with less resistance.

A few New Yorkers turn and comment. It’s not every day you see violence in vivo. Yet no one does anything. Why? Maybe because there’s nothing to do. We could call the police and wait for them to arrest This Fellow, but what would that accomplish? The best argument I can imagine is akin to “it’s your civic duty to get someone like this off the street”. But if that’s true, then why am I the only person I ever see picking up litter as they pass it in Central Park?

Growing up, angry kids told me on at least three separate occasions that one day someone was gonna punch me in the face. I’m now 30 years old and this prediction has not come true. Somehow I think this altercation doesn’t count.

Five minutes later, I arrive to my afternoon date. I tell her this story. She says I was mugged. I agree: it was at least an attempted mugging.

His punch left a bruise, but I’m more struck by my nonchalance. Still now, a day later, I don’t feel afraid. At no point – not even now – was I concerned for my safety. Maybe I deeply understood This Guy. Maybe I knew I’d be fine. Maybe I knew this to be the cost of engaging. Most New Yorkers avoid eye contact with strangers; I’ll meet the eyes of anyone equally bold.

Honesty in Comedy

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Yesterday I intentionally lied to you. I posted an AI-generated picture of a tattoo, claiming to have received this tattoo while drunk in Bali.

I have never received a tattoo, nor have I been drunk in Bali. I lied because it was April First, the only day out of the whole year when non-malicious lies are more than accepted: they’re celebrated.

I’m currently writing a personal-history one-man show that aims to be honest, to entertain, and to have impact. Honesty is tough when speaking to a diverse audience. New Yorkers will take your words at face value unless you indicate exaggeration via a clear tonal inflection. (Does this make New Yorker a tonal language? I say yes.) Brits and southerners prefer a deadpan that allows them to employ their own bullshit detector. One cannot satisfy everybody’s requirements for honesty while preserving the level of humor I desire. In my upcoming show, I will need to choose between being a comedian (entertainment) and being a journalist (honesty). I will need to have a defined stance, if only to maintain my ability to sleep well in the face of twitter criticism. John Oliver threads this needle by claiming comedy, which allows him to have the impact of a journalist without the industry’s behavioral constraints. Is this cheating? Absolutely. But it’s also an elegant way to win. So here’s how I define my stance:

These distinctions are absolute tosh. They’re like saying “a comedy ends with a marriage; a tragedy with death.” When was the last time a romcom ended with the marriage of all significant characters? Or a modern tragedy ended with a Hamlet-like bloodbath? We’ve been mixing genres over the last few years because they’ve always mixed. And April Fools is a holiday to remind us the ability to impact truth through lies. Is Amazon’s 2013 Cyber Monday claim that they’d have drone delivery in two years any more of an April Fools hoax than the 2019 April Fools joke of an Amazon delivery blimp? Many people even treated the April Fools one more seriously while ridiculing the the Cyber Monday one as a joke! Impact-wise, isn’t the main difference publication date, enabling Amazon to be the most-discussed retailer on one of the most profitable retail shopping days of 2013?

Approximately 50% of the people who received my tattoo message recognized it as an April Fools joke. The other 50% were hoodwinked. I debated over telling these hoodwinked people “April Fools!”. I’ve concluded I’m not going to. Because at some point most of them will realize that it was an April Fools joke. And doesn’t the fact that the joke lasted months or years make it even funnier?

And for those who never realize it, I’ll take solace in the fact that I’m not a journalist, nor a comedian: I’m an axolotl that regenerates its skin every few months, which is why the tattoo has already vanished. But I’m sure you already knew that.

An In-Depth Review

Julian2 Comments

Airbnb reviews only permit 1000 characters. So here’s my full review of a place I stayed in Cairns, Australia 🤪:

“I’ve been a poor university student for the last four years, but staying here is the first time I’ve felt like it.” —a fellow guest at Anita’s Airbnb

Internal tension is not, generally speaking, what one seeks in an Airbnb. Yet during my 6 days at Anita’s place in Cairns, I found myself not only experiencing a profound sense of dissatisfaction, but somehow enjoying that dissatisfaction and feeling grateful for its lessons.  

Anita’s place somehow provides slightly-above-spartan accommodations at slightly-above-discount prices, but in a hodgepodge of uncanny ways. I’ll give an example: The room boasts plenty of wall outlets — at my count 6 — which is very desirable in an Airbnb room. However, the majority of these outlets are placed above the head on one’s bed, and at no point has any person said “I’d like to plug in my devices right here, above my pillow, with no location to place the device while it’s charging.” The shower, too, isn’t quite wrong but seems like it was designed by someone who had heard what people like in a shower but never used one themselves, as it boasts beautiful tiling, ample hot water, and bountiful nozzle settings, but also dampens your towel because the only place to hang it is on the inside of the shower door. The outdoor dining table is a lovely place to chat with a fellow traveler on a warm summer evening, yet this delight is diminished by the requirement that you wave at the automatic light sensor every 30 seconds to turn it back on. 

If there’s a word to describe my stay at Anita’s in Cairns, that word would be it: “uncanny”. It’s uncanny that I would find the mattress perfectly comfortable, yet also awaken with a hip pain of a sort that I’ve never before experienced. It’s uncanny that I would have a long conversation with the host about making the internet work in my room, which it definitely didn’t beforehand and after which it somehow magically does. It’s uncanny that the Airbnb listing includes twenty-three (23) rules which one must follow during tenancy, and then posters and text messages upon arrival add an additional three (3), and yet existing in this space gives you the sense that breaking the majority of them would simply be ignored. As I was leaving, I snuck a glance inside Anita’s room, and was shocked to see it resembled a security office. If she has three screens of cameras, all presumably monitoring and recording, then why are the drying rack and kitchen trash can always overflowing? I suspect the only rule that Anita enforces strictly is the “absolutely no guests” policy, but somehow also get the niggling suspicion that her uncanniness would give me the thumbs-up on updating my Airbnb reservation from 1 guest to 2 as I’m walking home with a sweetheart in real time.

Anita’s Airbnb gives the impression of an earnest person really truly trying their best but tripping in random ways. Sure, she spams you with a bunch of tour and travel options immediately after you make your reservation, but after that initial volley it’s not like she’s pushy – or even brings them up again. Yes, she’ll make a bit of huff when you’re on your phone at 8:58pm and quiet hours start at 9pm, but it’s the sort of gentle and direct huff that makes you wonder whether you actually were being too loud for even pre-quiet hours. And then, when you’re quieter, it’s somehow totally fine that you talk until 10. The place is spartan yet functional, and isn’t functional what matters? If travel is about exploring a new place, and therefore yourself, isn’t it appropriate that you finally feel like a poor university student if that’s what you are? Still, it’s not particularly pleasant to feel like a poor university student, so I give Anita’s place three stars. 

Care / Try / Worry / Do: A Psychological Framework

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  • Care = believing something to be important.
  • Try = psychological effort, eg imaginative rehearsal or planning.
  • Worry = physiological/emotional arousal.
  • Do = action on the world.

These four functions are separable: each can be on or off individually. There are 22 different combinations. Some of them have names. E.g. Try + Worry + Do (without Caring) is called ‘Being triggered’”, Care + Do (without Worry or Try) is called “Being in Flow”, and “Maturity” or “Expertise” is Care + Try (with decreased Worry and Do).

I have a hunch that we exist in many or all of the 22 mental states at different times, and that one could use these mappings to intentionally move between states. (E.g. When “Practicing”, aim to be in Worry, Care, Try, and Do, but when “Playing”, exclusively Care and Do.)

I’m considering making a flowchart of the 22 different possible states, with arrows + tactical blurbs indicating when one should be in them and how to move between them. Thanks for reading this blurb – I have three quick questions for you:

  1. Is this framework interesting?
  2. Would you find such a flowchart interesting?
  3. Do any of the terms (Worry/Try/Care/Do) seem misfitting? If so, what terms would be more appropriate? (Eg I’ve considered “Act” instead of “Do”.)

Covid Currents

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This article is an anonymous guest post by a brilliant writer and dear friend. Its views and opinions may or may not represent my own. They certainly represent my friend.

Remember when you weren’t a total asshole for getting all of your friends sick? You’d show up to the party with a little sniffle and say “yeah I was throwing up yesterday, it sucked, but I’m a trooper so here I am at Feb Club.” A few days later a few of the people would get sick and think “ugh, I must have gotten it from them.” It sucked for maybe 24 hours but wasn’t that big of a deal.

I remember that time, when my willpower was the only thing standing between me and my friends. I worked the long hours to make the money. I’d take the craziest flights with the craziest layovers. I would stay up all hours of the night finishing homework I should’ve done yesterday. This community. This connection. This is what matters.

I’ve looked forward to my college reunion since the day that I graduated. I remember standing in a circle with my friends in the Trumbull courtyard, pieces of smashed tobaccoless pipes scattered across the stone, and thinking “at least I’ll get to relive this moment in five years. I know it won’t be the same. I know everyone in this circle won’t be here again. But I will be here.”

Until I couldn’t. At year five, the entire event was canceled. It wasn’t safe to invite a global population to gather. At year six, the invitation was open and I was forced to decline. At any other point in history, I would’ve shrugged off my cold symptoms and carried on. In 2022, one faint pink line trapped me behind the glass watching snapshots of my friends reunite without me. 

Over two years later the pandemic still is thrashing through our lives wreaking havoc in more ways than one. We all find ourselves forced to draw a line in the sand and wage an internal battle with ourselves of when we can cross it. Each wave of new information eradicates our former boundaries and forces us to draw a new line. Even if we plant our feet firmly in the ground and refuse to move, it’s inevitable that the current pulls us as we tumble through the wave.

When we come up for air, we find we’ve drifted further apart than we ever have before. And many of us will decide it’s not worth the risk to find our way back to center. 

Weeks ago, my friends said, “we will do anything to make it happen.” Outdoors. Masks. 6ft. Not ideal but doable. A thin line where we could meet without crossing boundaries. When the day came I found myself alone in Central Park, surrounded by strangers, because no one came. Despite all of the texts filled with brief apologies I couldn’t help scanning the crowds at each turn. I knew my friends were somewhere among them, just out of reach. 

I read their promises: “we will see each other again soon.” And for the first time, I don’t believe them. We’ve changed. We have new priorities. “When my semester ends.” “When work slows down.” “Once I move into my new apartment.” … And as much as I want to recall those feelings of connection and belonging over the smashed tobaccoless pipes, the rejection I feel now is overwhelming. 

As my friends took their last maskless selfies before heading into New York City, some took the virus with them. They had spent three days dancing, drinking, kissing peers who had flown in from all around the world in blissful ignorance. 

At the end of the day, the passengers on the train, the patrons in the restaurant, and the millions of strangers in New York were worth the risk. I wasn’t. 

Maybe this is the same path taken time and time again. Friends grow up, and move on. But something today feels different. This virus has accelerated the timeline. It stole two years of our youth. It stole the days when our priority was still finding each other. It dumped us on the other side, scarred and unprepared for the conversations that lie ahead in our relationships. 

It’s no one’s fault. I’m still angry. 

Maybe we should more clearly mark our boundaries. Maybe I need to stop forcing people to draw their line in the sand.

Maybe life is just that hard and all we can do is try to keep our own heads above the water.  

For now, I continue to sit in my disbelief. Staring at a puzzle that I have no interest in completing. And just wait for all this to be over. 

Diveball: Your Next Favorite Game

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Today, only dozens of people in the world know how to play this game. In 5 years, it will be massively popular (on the order of 100k or 1M+ players). I’m going to popularize it. I’m publishing this post in part to spread it wide and in part to plant my flag before it becomes huge.

How to play is linked here. (I’ll update that document as I iterate on the particularities of the rules. The basic structure, however, is solid.) I’ve also pasted the current version of the rules below:

Diveball

Materials:

  • 1 pool table
  • 1 cue ball (that’s the white one)
  • 1 7 ball

Setup: 

  • Each of the 4 players stands at a corner. 
    • Players are on a team with the person directly across from them (i.e. the player with whom they share a long side). 

Definitions: 

  • The 7 ball is “dead” if it stops moving. 
  • The 7 ball is “scored” if it enters one of the corner pockets. 
  • Each player has a “kitchen”, which is the one-forth of the table closest to them. The boundary of the kitchen (the “kitchen line”) is formed by connecting the second dots on the side of the table. (Players who share an end will share both a kitchen and a kitchen line.) 
  • A team has “possession” when it is their turn to play. 
  • A player performs a “shot” when they touch and/or release the cue ball such that it hits the 7 ball. 
  • A player performs a “pass” when they transfer the cue ball to their partner (without the cue ball touching the 7 ball). 

Play: 

  • A team wins a point in one of three ways: 
    1. Making the 7 ball dead during their opponents’ possession
    2. Scoring the 7 ball (note: scored only applies to a corner pocket). 
    3. Their opponents commit a foul. 
  • “Possession” works like this: 
    1. The serving team begins with possession. 
    2. A team passes possession to their opponents by touching the cue ball and then the cue ball touching the 7 ball. 
  • Serving works like this: 
    1. Set up for a serve by placing the 7 ball in the middle of the kitchen line opposite the server. 
    2. A legal serve is one where the cue ball hits the 7 ball, then the 7 ball hits the back wall before it stops, goes into a pocket, or hits a side wall. 
    3. A server has three attempts at a legal serve. 
      1. If they fail, the opposing team receives a point and the 
  • Note: the 7 ball is not scored if it enters one of the side pockets. Instead, if this happens, no teams score any points and the player who hit it into the side pocket chooses the next server. (They may choose any of the 4 players.)  

Illegal actions (i.e. “fouls”): 

  1. Touching the 7 ball. 
  2. Touching the cue ball when it is not your possession. 
  3. Touching the cue ball while it touches the 7 ball. 
  4. “Playing from the side” – i.e. failing to have both feet behind the horizontal line that determines the end of the table when making a shot. 
  5. “Playing in the air” – i.e. failing to have at least one foot on the ground when releasing the cue ball in a shot that prompts the cue ball to hit the 7 ball. 
  6. The cue ball contacts the 7 ball while any part of the 7 ball is in the releasing player’s Kitchen. 
    • To avoid violating this kitchen rule, you should pass the cue ball to your partner when needed. 

A game works like this: 

  • Randomize the first server. 
    • After each point, the partner of the player who last legally transferred possession serves the next point. 

A match works like this: 

  • Play “best two out of three” games (i.e. the first team to win two games wins the match).

Clarifications: 

  • If the cue ball goes in any pocket, the point continues. Whichever team has possession had better fish it out fast! 
  • If the 7 ball jumps off the table, award no points and serve afresh. 
  • The 7 ball is only scored in the corner pockets. If it’s hit into a side pocket, no points are scored and the player who hit it into that pocket chooses the next server. 
  • The 7 ball is only deemed to have “stopped moving” when it is no longer rolling nor spinning AND the cue ball is stopped or touched by a possessing player or touches a wall. 
    • Therefore, the balls do not have to collide before the 7 stops moving; a team need only release the cue ball before the 7 ball stops moving, so long as the cue ball hits the 7 ball directly thereafter. 

17 syllables on my most exhausting week in memory

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New job + old job = tough week. I couldn’t do it, but I care.

(I started a new job this week. It’s co-founder at a startup. I’m still ghostwriting for some people & editing for others. The co-founder role is a full time gig. My former job is still a full time gig. Dear Lord [that’s you, Smidgen], How are we gonna get through this?)

(The ending “I couldn’t do it but I care” is intended as an allusion to the impossibility of stretching oneself until necessity and desire intersect. I’ve done things this week that I couldn’t have done. But must + want => can. So I do.)