Tag: Games

Clown School Weekend 2.2: What’s in a Game?

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That which we call Our Hero, by any other game, would play as sweet.

What is a game?

A game isn’t one thing, but a cluster of traits that, in sufficient combination, make us recognize something as a game. None of these are necessary, but enough of them is sufficient to make something a game. Some of those traits are:

  • Competition and/or cooperation
  • Ability to win and/or lose
  • Use of toys, equipment, and/or pieces
  • Play
  • Fun and/or pleasure
  • Turns
  • Rules
  • A self-contained world, protected from life’s other elements
  • Practicing skills useful elsewhere

The trouble of defining game is the trouble of defining any abstract concept: when we say “X is a game,” we mean it has enough of the qualities we associate with games for our brains to light up in recognition. Hence our endless debates, like whether a hot dog is a sandwich.

Games vary across cultures because the pleasures of play vary too. At clown school, we seek a joy that’s light and friendly; in sport, the joy can be vicious, even cruel. Have you ever watched a professional tennis final? They’re clearly playing a game — but not playing games.

Defining abstractions always circles back to the Supreme Court’s test for pornography: we know it when we see it. Still, shared language demands some definitioning (now a word). And that task grows harder as meanings and technologies evolve: even “simultaneous” doesn’t mean what it once did.

I like games. Always have. And by that I mean: I like whatever fires my neurons to say that’s a game. I like them better than mere activities; give me competition or a timer, and I’m in.

So:

  1. Games are hard to define.
  2. Games share recognizable traits.
  3. I like games.

I recently stumbled upon a definition for game by the philosopher Bernard Suits: “the voluntary attempt to overcome unnecessary obstacles.” Elegant, but too narrow. It fits golf or chess, not politics or dating, where the obstacles aren’t unnecessary, just chosen. I don’t think “dating is a game” is metaphorical; I think it’s a real diagnostic description of how people behave in the world.

Ludwig Wittgenstein suggested that definitional meanings work by family resemblance rather than rigid borders. I’ve always respected the man; nice company to stumble into.

Maybe that’s why I love games: they’re how we practice living within constraints — voluntary or not — and still find joy.

Life, after all, is the longest game we play.

Game on.

Clown School Weekend 2.1: The Cleverness of Simplicity

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In which Our Hero dunks on century-old cinema

Charlie Chaplin is a comedy god. I saw his magnum opus today. It was… fine?

Not great. Not exciting. Not even that funny.

One or two strong laughs — the eating of the shoe, the dancing dinner rolls — but mostly, the movie made me sad. My film-buff friend assured me it was meant to. The pathos is why it’s endured, he said.

So we watch the Little Tramp suffer. The love interest betrays him. Our Hero suffers yet again. The sadness swallowed the play. I felt too much pity and fear to laugh.

I’m certainly more of a Marx Brothers fan. I like the clever. The sharp. The witty. The possible. Chaplin, by contrast, was morose. The Marx Brothers sparred with logic; Chaplin wrestled with circumstance.

I also saw three Laurel & Hardy shorts, and liked them much more. A quest to change pants, failing in ever-new ways. Elegant clownic escalation. Need a new beat: toss a crab in the pants. Simple. Repeatable. Because it was so limited, clever.

Clever comes from doing more with less. Laurel & Hardy did more with less. So did Chaplin, at his best: when dinner guests ask for a speech, he offers a dance instead (because it’s a silent film!). Cue the famous dinner rolls.

In clowning, the game is paramount. A simple, easy-to-understand game that provides boundless fun for the time allotted. Make the game simpler. Then vary it. Expand it. Loop it. Narrow it.

With clown, I don’t want a new game. I just want another well-played round of the same.

That’s what I’m learning in clown school: the joy of the repeat.

That’s what I’m learning in clown school: the joy of the repeat.

Clown School Day 10: How to Win by Losing

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In which Our Hero finally beats himself

I loved it when a classmate called me a douche. It raised a key question: Am I a douche?

To that, I had to answer yes. Because anyone who steamrolls friends at silly games is a douche. And I’d been playing silly games to win, despite frequently being much better than others.

A knight without chivalry is a douche. An assassin without honor is a douche. The powerful, when they flex on the powerless, are acting like a douche.

(He said this after I grabbed a ball he was juggling. Not a big deal. Still, a douche.)

I wrote in my notebook: Stop always playing to win. Try playing to play.

Then we started wall ball.

Wall ball is simple: hit the ball, it hits the wall, bounces once, next player hits. Compared to my group, I’m very skilled at wall ball. Last time I won the tournament (ahem, ladies 😉)

This time, I decided to try play. My game:

  1. Don’t die.
  2. Give the next player the easiest possible hit.

Using this approach, I eliminated only one person (on a challenging shot where a gentle hit might have put myself at risk). Still, I reached the finals.

At the finals, a question arose: keep playing my game, or now play to win?

I chose my game. Either he’d win, or he’d beat himself.

First to three wins.

He won the first point.

He mis-hits. All tied up.

I thunked one off the side.

He botched another.

Two-two. Next point wins.

He fired a zinger to the corner: unreturnable. He wins.

The crowd went wild.

Everyone loves seeing David beat Goliath.

I cheered too. It felt better than winning the tournament. That had been awkward. This was joy. I led the chant: “Speech! Speech! Speech!”

The victor obliged.

I don’t think I’ve ever thrown a game before. This didn’t feel like throwing. It felt like optimizing for something bigger.

I didn’t lose. I won at a bigger game.

Sometimes the point of the game is play.

In theater, the point of the game is the play.

—

Later, our class watched another student play a game on stage with the same man I’d met in the finals.

The student was far more skilled. My teacher said:

“When you play with someone much worse than you, you must have good humor.”

That’s why I’m here.

To learn good humor.

Diveball: Your Next Favorite Game

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Today, only dozens of people in the world know how to play this game. In 5 years, it will be massively popular (on the order of 100k or 1M+ players). I’m going to popularize it. I’m publishing this post in part to spread it wide and in part to plant my flag before it becomes huge.

How to play is linked here. (I’ll update that document as I iterate on the particularities of the rules. The basic structure, however, is solid.) I’ve also pasted the current version of the rules below:

Diveball

Materials:

  • 1 pool table
  • 1 cue ball (that’s the white one)
  • 1 7 ball

Setup: 

  • Each of the 4 players stands at a corner. 
    • Players are on a team with the person directly across from them (i.e. the player with whom they share a long side). 

Definitions: 

  • The 7 ball is “dead” if it stops moving. 
  • The 7 ball is “scored” if it enters one of the corner pockets. 
  • Each player has a “kitchen”, which is the one-forth of the table closest to them. The boundary of the kitchen (the “kitchen line”) is formed by connecting the second dots on the side of the table. (Players who share an end will share both a kitchen and a kitchen line.) 
  • A team has “possession” when it is their turn to play. 
  • A player performs a “shot” when they touch and/or release the cue ball such that it hits the 7 ball. 
  • A player performs a “pass” when they transfer the cue ball to their partner (without the cue ball touching the 7 ball). 

Play: 

  • A team wins a point in one of three ways: 
    1. Making the 7 ball dead during their opponents’ possession
    2. Scoring the 7 ball (note: scored only applies to a corner pocket). 
    3. Their opponents commit a foul. 
  • “Possession” works like this: 
    1. The serving team begins with possession. 
    2. A team passes possession to their opponents by touching the cue ball and then the cue ball touching the 7 ball. 
  • Serving works like this: 
    1. Set up for a serve by placing the 7 ball in the middle of the kitchen line opposite the server. 
    2. A legal serve is one where the cue ball hits the 7 ball, then the 7 ball hits the back wall before it stops, goes into a pocket, or hits a side wall. 
    3. A server has three attempts at a legal serve. 
      1. If they fail, the opposing team receives a point and the 
  • Note: the 7 ball is not scored if it enters one of the side pockets. Instead, if this happens, no teams score any points and the player who hit it into the side pocket chooses the next server. (They may choose any of the 4 players.)  

Illegal actions (i.e. “fouls”): 

  1. Touching the 7 ball. 
  2. Touching the cue ball when it is not your possession. 
  3. Touching the cue ball while it touches the 7 ball. 
  4. “Playing from the side” – i.e. failing to have both feet behind the horizontal line that determines the end of the table when making a shot. 
  5. “Playing in the air” – i.e. failing to have at least one foot on the ground when releasing the cue ball in a shot that prompts the cue ball to hit the 7 ball. 
  6. The cue ball contacts the 7 ball while any part of the 7 ball is in the releasing player’s Kitchen. 
    • To avoid violating this kitchen rule, you should pass the cue ball to your partner when needed. 

A game works like this: 

  • Randomize the first server. 
    • After each point, the partner of the player who last legally transferred possession serves the next point. 

A match works like this: 

  • Play “best two out of three” games (i.e. the first team to win two games wins the match).

Clarifications: 

  • If the cue ball goes in any pocket, the point continues. Whichever team has possession had better fish it out fast! 
  • If the 7 ball jumps off the table, award no points and serve afresh. 
  • The 7 ball is only scored in the corner pockets. If it’s hit into a side pocket, no points are scored and the player who hit it into that pocket chooses the next server. 
  • The 7 ball is only deemed to have “stopped moving” when it is no longer rolling nor spinning AND the cue ball is stopped or touched by a possessing player or touches a wall. 
    • Therefore, the balls do not have to collide before the 7 stops moving; a team need only release the cue ball before the 7 ball stops moving, so long as the cue ball hits the 7 ball directly thereafter. 

Travelog Thursday 191031 (Redacted version)

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Start: Parked outside [redacted], New Orleans, Louisiana. 

End: sleeping in [redacted], New Orleans, Louisiana. 

Exciting Events: 

  • Wandered around New Orleans dressed in a couple’s costume: I was Draco Malfoy & Smidge was Dobby the House Elf. 
    • Drunk wandering is just as pointless as I remember. Trying to find that friend, avoiding places with covers, etc. 

  • Felt twice like I’m exactly where I’m supposed to be. 
    • When [redacted] and I were playing connect 4 as the night was coming to a close.
    • Wandering down Bourbon street sipping a delightfully fruity daiquiri.
  • Talked through [redacted]’s life goals and how he should choose a career by ability, not passion. 
  • Did two [redacted]. 
  • Phone with [redacted] to tell her I [redacted]. 

Real Realizations: 

  • People are the same everywhere. The difference is interests, topics, opportunities. Same people, tho. 
  • Sleep deprivation keeps people wired and happy. 
  • I don’t enjoy dressing up for Halloween. Too much effort, too little value. 

Quotent Quotables: 

  • “I’m gonna be a cow.” -[redacted]. 
  • “The first thing to attack in your enemy is their communications.” -[redacted]. 
    • I like this quote for its wide-ranging reach. Whether playing chess or in war with a country, the first thing to destroy is their ability to think. You knock out that ability by knocking out communications—between them and another or within one, itself. 

Commonplace occurrences: 

  • Work for [redacted]. 
  • Did [redacted]’s dishes. What a gift. 

Disappointing doldrums: 

  • [Redacted] with [redacted] feels oddly fractured again. 

Delicious Delectables: 

  • Cooked a steak and sweet potatoes for [redacted] & me. 
  • Chicken tenders at dinner. 

Alluring Activities: 

  • Hanging with [redacted]. 
  • Sleeping late. 

Travel Log 191020 (Redacted Version)

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Start: [Redacted], Pflugerville, TX

End: [Redacted], Pflugerville, TX

Delicious Delectables: 

  • Lindor Lindt White Chocolate Truffles. ALMOST A WHOLE BAG. 

Quotent Quotables: 

  • “How good it is to have something it’s so hard to say goodbye to.” -Winnie The Pooh 

Real Realizations: 

  • Rules of the game “Freelancer”: 
    • The goal of the game is to win. You win by making the most amount of money in the least amount of time. That metric is called “hourly rate.” Increase it as much as possible. 

Exciting Events: 

  • Walked Smidge when I was all grumpy-like.
  • Performed two user experience tests for [redacted]: one each on [redacted]. 
    • Very fun process! Much more fun than I’d feared. 
  • Video chatted with [redacted] for two hours! 😄  
    • He recently attended a thanksgiving party at which he listed three things he’s grateful for. One of them was me! 
      • He really enjoys being able to sit with me in comfortable silence. Me too. And I want to become even more comfortable with him! 
    • I regaled him with stories of Myschevia and my other recent escapades. More than once, he was surprised; nay, shocked!
  • Bought [redacted] a succulent plant. 
  • [Redacted] returned from the renaissance faire.
    • They [redacted]. No wonder [redacted]! 
  • Walked Smidge again, just after it rained. It was wonderful! 
  • Teased [redacted] a bit. They said it was too much. I apologized. 
    • [Redacted]. 
    • Also, however, [redacted]. 
  • Played Slime Volleyball with [redacted]. Such a fun game. 

Alluring Activities: 

  • [Redacted] review tomorrow. 
  • Call with [redacted] tomorrow to discuss my hourly rate.

Quotent Quotables, Volume 2

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I’ve curated a list of recent quotes from my life, along with a challenge: Who said each quote? Me or Not-Me? (Answers at the end; track your responses to see how well you fare!)

  1. “You know that Carly Simon song? It’s about me.”
  2. “Sometimes I feel like I’m always rushing. Then I get some free time and it’s just the worst.”
  3. “When you eliminate the extraneous, all that’s left is you. When you eliminate the you, all that’s left is the Tao.”
  4. “Pickling is so great. They take cucumbers and make them edible!”
  5. “Nexterday. I mean tomorrow.”
  6. “I like spending time with people with low self-esteem—whenever we arrive at a problem, they’re too busy blaming themselves to blame me.”
  7. “I’m a coffee drinker, so cups of tea aren’t my cup of tea.”
  8. “You’re nervous. That’s okay. Just don’t be nervous about being nervous.”
  9. “My computer just told me it has an upgrade it wants to run. Let me guess: it’s going to make the computer run more slowly and not affect how I use it at all.”
  10. “The more I learn about how things work, the more I learn they’re stupid and poorly done.”
  11. “Avocado would be a great Halloween costume for a pregnant woman.”
  12. “With T-Mobile, you get free tacos on Tuesdays, but with Verizon you can make phone calls.”

To protect you from accidentally seeing the answers, please enjoy this anecdote: (Real! Real true! Real true funny!)

Context: A highschool couple eats dinner at Chick-Fil-A. The Girl has painted her face with such vigor that it lacks pores. The guy sports spiky hair, diamond hoop earrings, and flip-flops.

Girl: I don’t find comedy funny.

Guy: You don’t find comedy funny?

Girl: I find it cringe-y. It’s not natural funny. It’s like forced funny. I don’t like comedy movies because they’re not funny. I feel like the only comedy that I actually find funny is, like, White Chicks. Oh my god! We should watch White Chicks together!

 

(Scroll down for the answers)

 

(Keep scrolling)

 

(Who’s a good scroller? You are! Yes, you are!)

 

Those answers you’ve been waiting for:

1, 2, 3, 5, 6, 7, and 12 are by Yours Truly

Your Score:

0: You know me incredibly well, but prefer self-sabotage.

1-3: Next time, try flipping a coin.

4-6: You did flip a coin.

7-9: Let’s be friends.

10-11: So close and yet so far. Was it the pickling? I bet it was the pickling.

12: Self… is that you? I mean me? Are you… me?

I don’t believe in “Character Alignment.”

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After five years of wanting, I played my first D&D game today. Upon creating my character—Pimbleton the Great and Powerful and Mighty and Strong, a three-foot-tall gnome who rode into the world on a lightning bolt thrown by Zeus and spent twenty years enslaved by a cereal company who forced him to be their mascot before rising to monarch of a race of undersea people—I was asked what his “alignment” is. This refers to a 3×3 grid, with axes of “Lawful vs Chaotic?” and “Good vs Evil?”

  • Is he lawful-good, like Superman?
  • Chaotic-good, like Robin Hood?
  • Lawful-evil, like Senator Joseph McCarthy?
  • Chaotic-evil, like The Joker?

DD-Alignment-Chart-2.jpg

I disliked this question. It feels wrong-directional. We can describe an action as one of these, but they don’t describe the whole person.

  • What about a lawful-good character whose father was killed by an orc and therefore has developed deep-seated racism against them? If she’s lawful-good in every other instance, must she also be lawful-good toward orcs?
  • Or a chaotic-evil character with a soft spot for small, furry animals? Must he suffocate every bunny he meets, simply because he beheads every human in his way?

Actions should come from who someone is, not the easiest way to classify them. There’s no such thing as acting “out of alignment.” There’s only acting in character or not.